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COURSE DESCRIPTIONS |
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COURSE
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Course
Descriptions Spring 2007
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Buddhism Courses |
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Please
note that the "Buddhsm" category is no longer used.
These courses can now be found under other EALC categories. |
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Chinese Language and
Literature Courses
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Chinese
1B
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1B.
Elementary Chinese. A continuation of Chinese 1A, Chinese 1B
provides elementary training in listening, speaking, reading,
and writing in Modern Standard Chinese. It is designed to help
you learn enough Chinese to enable you to handle your needs
adequately in Chinese-speaking places or communities. Building
upon Chinese 1A, Chinese 1B will further introduce a core vocabulary
and fundamental structures. You will be able to describe person/thing/event/place/time/feeling,
describe and comment on food, provide and obtain information
about borrowing/renting and returning, ask for and give directions,
accept and reject invitations, describe health problems and
give advice, and compare different places, sports, and prices.
You will learn how to understand Chinese well enough to carry
out routine tasks and engage in simple conversations. In addition
to further mastering the Pinyin Romanization system, you will
learn how to read and write 320 new Chinese characters and
compounds derived from combining these characters, as well
as read and write short messages, postcards, simple notes,
and short descriptions. You will also learn about some aspects
of Chinese culture. Prerequisites: Chinese 1A; or consent of
instructor.
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Please
note: Chinese 1B is not open to native speakers of any Chinese
dialect
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Chinese
1BX
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1BX.
Elementary Chinese for Mandarin Speakers. Second semester of
Elementary Chinese for heritage students. The course teaches
both pinyin and traditional characters, introduces functional
vocabulary, and provides a systematic review of grammar. The
class meets three times a week, one hour a day. If you have
not taken Chinese 1AX, to enroll in this class you must first
take the online Chinese Language Placement Test. Find the online
test at ealc.berkeley.edu. Students are responsible for enrolling
in the appropriate level. They must also accurately inform
instructors about their language proficiency level. Any student
who enrolls in a class below his/her level will be dropped
from the class. Prerequisites: Chinese 1AX; or consent of instructor.
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Chinese
1BY
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1AY.
Elementary Chinese for Speakers of Other Dialects. Chinese
1BY, an elementary Mandarin Chinese course for non-Mandarin
speaking Chinese dialect heritage learners,
is a continuation of Chinese 1AY. The course
provides further training in language skills. Linguistic forms
and ways of using them are taught to meet
learners' language needs. The course prepares
Chinese dialect heritage learners to merge with Mandarin heritage learners
at an intermediate level for continuous learning. Prerequisites:
Chinese 1AY; or consent
of instructor.
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Chinese
7B
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7B.
Introduction to Modern Chinese Literature and Culture. Chinese
7B is the second semester in a year long sequence introducing
students to the literatures and cultures of China. We will
read many of the major authors, works, and literary genres
from the Yuan Dynasty to modern times, and place these writings
in their historical, cultural, and material contexts. This
course does not assume or require any previous exposure to
or coursework in Chinese literature, history, or language.
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This
semester we will pay particular attention to the emergence
of vibrant new urban and vernacular cultures in the late imperial
period and their relation with classical traditions and literati
culture, as well the revolutionary cultural transformations
of the late 19th and 20th centuries. The course will both survey
the literary and cultural topography that every serious student
of China ought to know, while at the same time developing the
critical reading and writing skills necessary to traverse and
imaginatively engage with that historical terrain. All readings
are in English translation. Students who are conversant in
Chinese are encouraged to read original texts whenever possible.
Prerequisites: None. Recommended: Chinese 7A.
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Chinese
10B
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10B.
Intermediate Chinese. Five one-hour meetings in class, two
one-hour periods in the language or computer lab per week.
The course, a continuation of Chinese 10A, is designed to develop
the student's reading, writing, listening, and speaking abilities
in Chinese, and teaches both simplified and traditional characters.
Prerequisites: Chinese 10A; or consent of instructor.
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Chinese
10BX
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10BX.
Intermediate Chinese for Mandarin Speakers. Continuation of
Chinese 10AX, an intermediate-level course for Mandarin speakers.
The course teaches both pinyin and traditional characters,
develops a functional vocabulary, and provides a systematic
review of grammar. Three one-hour meetings in class and two
one-hour periods in the language or computer lab per week.
Prerequisites: Chinese 10AX; or consent of instructor.
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Chinese
100B
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100B.
Advanced Chinese. The goal of the course is to introduce modern
Chinese culture while developing competence in reading, speaking
and writing standard modern Chinese. The readings include stories,
essays, and plays, mostly by leading writers of recent decades.
Students prepare in advance, then read and discuss in Chinese
in class. Literary aspects are discussed in addition to problems
of vocabulary and syntax. Prerequisites: Chinese 100A; or consent
of instructor.
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Chinese
100BX
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100BX.
Advanced Chinese for Mandarin Speakers. Continuation of Chinese
100AX, an advanced-level course for Mandarin speakers with
intermediate-level knowledge of reading and writing in Chinese.
The goal of the course is to introduce modern Chinese society
through reading materials and discussion. The reading materials
include stories, essays, and plays, mostly by leading writers
of recent decades. Three one-hour meetings in class and two
one-hour periods in the language or computer lab per week.
Prerequisites: Chinese 100AX; or consent of instructor.
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Chinese
102
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102.
Readings in Modern Chinese - Social Sciences and Literature.
The emphasis of this course is on Chinese social, political,
and
journalistic readings. The readings are further supplemented
by newspaper articles. Students are required to turn in essays
written in journalistic style in Chinese. Prerequisites: Chinese
100B; or consent of instructor.
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Chinese
110B
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110B.
Introduction to Literary Chinese. The second half of a
one-year introductory course in literary Chinese, continuing
the study of grammatical structures and classical usage
from the first semester, and introducing the use of basic reference
sources. Readings for this semester will be drawn from a range
of literary, philosophical, and historiographical texts
through the Song Dynasty. Prerequisites: Chinese 110A; or consent
of
instructor.
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Chinese
112 NEW!
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112.
Fifth-Year Chinese B. This course is designed to bring up the
students to advanced-high competence in all aspects of modern
Chinese; it aims to prepare students for research or employment
in a variety of China-related fields. Materials are drawn from
native-speaker target publications, including modern Chinese
literature, film, intellectual history, and readings on contemporary
issues. Radio and TV broadcasts will also be included among
the teaching materials. Texts will be selected, in part, according
to the students' interests. With the instructor's guidance,
students will conduct their own research projects based on
specialized readings in their own fields of study. The research
projects will be presented both orally and in written form
by the end of the semester. Prerequisites: Chinese 102; or
consent of instructor.
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Chinese
155
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155.
Readings in Vernacular Chinese Literature. In this course,
taking the monumental Ming dynasty novel The Journey to
the West (Xi
you ji) as the central strand of our inquiry, we will explore
the range of implications and resonances of the journey in
Chinese literature. While the kernel narrative of The Journey
to the West is an actual journey taken by the seventh-century
Buddhist priest Xuanzang (596–664) from the Tang court
to India to seek new Buddhist scriptures, by the time the novel
we know by this name takes its final form nearly a millenium
later (it has been somewhat tentatively ascribed to Wu Cheng’en
[~1500–1582]), it has become both a pinnacle of Chinese
literature of the fantastic and an encyclopedic repository
for traditional lore of the journey: cosmological, geographical,
religious, ethnographic, alchemical, philosophical, psychological,
political, zoological. The Journey to the West became a classic
for later readers, and as such enjoyed a particularly rich
afterlife, in the form of sequels, illustrations, stage (as
well as, later, cinema and television) adaptations, as well
as commentaries proposing adventurous and inventive theories
of allegorical meaning in the work. The novel and its central
characters have, moreover, become cultural touchstones for
many readers down to the present day. Thus the course will
conclude with a few examples of this “afterlife” of
The Journey to the West. Prerequisites:
Chinese 100B; or consent of instructor.
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Chinese
161
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161.
Structure of the Chinese Language. The
major goal of this course is to provide an introduction to
basic concepts in general Chinese linguistics and to reinforce
the participants’ knowledge of the basic elements of
linguistics relevant to the learning of Chinese and its culture.
This course investigates the phonology, syntax, semantics,
lexicon, and writing system of the Chinese language. Also covered
briefly are some topics relating language to cognition, culture,
and society. Prerequisites: completion of Chinese 100B; or
consent of instructor. An introductory course in linguistics
is recommended.
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186.
Confucius and His Interpreters. This course examines the different
spheres of meaning that have been formed through interpretations
of the person and teachings of Confucius. We will consider
how the words attributed to Confucius were understood by his
near-contemporaries and by later generations, situating these
readings within the social and political order of their times.
We will examine how Confucian ideals have shaped government,
social roles, and intellectual commitments, and how various
interpretive communities in turn have shaped the understanding
of the Confucian canon. We will also ask what the figure of
Confucius meant for these various groups, and how this figure
was defined through ritual and material culture. Further, we
will consider Confucian responses to other intellectual forces,
such as Legalism, Daoism, Buddhism, and Christianity, and reimagination
of Confucianism in light of perceived challenges of modernity.
Class discussion will focus on readings from primary texts,
but will also take into account recent scholarship on the intellectual
and social history of the Confucian tradition. Prerequisites:
None. |
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Chinese
230
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230.
Seminar in Chinese Literary History: “Readings in Traditional
Chinese Literary Thought.” In this seminar, we will examine
a selection of writings in traditional literary
thought, beginning with the Shijing’s “Great
Preface” and
ending with the works of Qing Dynasty writers such as Wang
Shizhen, Ye Xie, and Yuan Mei. As we read through essays, prefaces,
letters, and various forms of poetic commentary, topics of
discussion will include theories of literary expressio, the
origins and evolution of key theoretical terms and phrases,
genre theory, and the critical development of poetic personae.
Prerequisites: Graduate standing and a good reading knowledge
of classical Chinese.
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Chinese
254
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254.
Chinese Literatures and Cultures in Global Context: “Lu
Xun and the World.” This seminar will provide a forum for reading and discussing
the
work of
perhaps the single most important and iconic figure in modern
Chinese literature. We will read through the canon, sample
various critical approaches to his study, and familiarize ourselves
with the voluminous scholarly apparatus that has grown up around
his writings and his life. The thematic foci of the course
will depend in part on student interests, for one of the most
remarkable qualities of Lu Xun as a writer, translator, cultural
broker, literary patron, activist, and thinker is the voracity
and range of his interests and engagements, an incomplete resume
of which would have to move from science fiction to modernist
poetry, from 'the woman question' to children's literature,
from Darwin to Marx,from Six Dynasties zhi-guai to
European realism, and from ancient stone inscriptions to modern
graphic
arts. Given this multiplicity, a central aim of the course
will be to contextualize Lu Xun and his writings not only within
the local context of late Qing and Republican China, but also
in a global and world-historical frame.
Prerequisites: Graduate standing; or consent of instructor.
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Note:
If at all possible, students should acquire their own copy
of
the multi-volume Lu Xun quanji (Complete works of
Lu Xun) in preparation for the course. |
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East Asian Languages
and Cultures Courses
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EA
Lang C220
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C220.
Seminar in Buddhism and Buddhist Texts. This course will be a
survey of Buddhist poetry and poetics written in Pali, Sanskrit
(“Classical” and “Buddhist Hybrid”),
Prakrit, and Apabhramsha. The main question investigated will
be in what sense such lyrical works can be legitimately labelled
as “Buddhist” beyond any doctrinal content. To
do this we will attempt a comparison with contemporaneous works
written by non-Buddhist poets. |
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There
are no formal language requirements, translations for all of
the poems and rhetorical discussions will be provided. The
main emphasis will be on understanding Buddhist authors’ ideas
concerning the nature and purpose of poetry. Prerequisites: Graduate
standing; or consent of instructor. |
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Japanese Language and
Literature Courses
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Japan
1B
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1B.
Elementary Japanese. Continuation of Elementary Japanese 1A
using the same general format (written and oral/aural quizzes
every Friday) and textbook. Emphasis is on spoken, reading,
and written Japanese. Grades will be determined on the basis
of attendance, quiz scores, homework, in-class final examination,
and class participation. Prerequisites: Japanese 1A; or consent
of instructor.
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Japan
1BL NEW!
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1BL.
Supplementary Work in Listening - Elementary. Designed to supplement
1A-1B, respectively, in order to facilitate students' listening
proficiency. 1AL will cover a variety of listening strategies.
1BL is a continuation of 1AL where students will apply these
strategies in listening activities.
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Japan
1BS
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1BS.
Supplementary Work in Kanji. A course designed to be taken
concurrently with 1B to help students improve overall kanji
performance. The course will make the kanji learning process
easier by providing exercises and background information about
the relationships between characters and how they function.
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Japan
7B
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7B.
Introduction to Modern Japanese Literature and Culture.
7B offers students the opportunity to consider a wide variety
of
prose fiction and poetry from Japan’s 19th through 21st
centuries,
that is, from the time of the Meiji Restoration (1868) until
the
present. About ten of the works will be read in their unabridged
form. The first text we will discuss is what is often called
the
earliest Japanese work styled after the Western concept of
the novel.
The last work is a set of short stories exploring the impact
of the
Kobe earthquake. In between we will read authors who narrate
pre-War,
post-war and post-modern Japan. Rarely do these authors represent
the
most common values of their time but they always have a sharp
understanding of the world within which they live. There will
be
abundant opportunity to explore Japanese social and cultural
issues
through the themes these authors set before the reader. This
class is
designed to include students with no background in Japan or
the
Japanese language. Prerequiste: None. [WEBSITE]
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Japan
10B
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10B.
Intermediate Japanese. In this course, students will learn
how to integrate the basic structures and vocabulary which
they learned in Japanese 1A/B and Japanese 10A in order to
express a wider range of ideas, and will study the new structures
and vocabulary necessary to express such ideas in a manner
appropriate for many social situations. Students are expected
to participate fully in classroom activities and discussions.
Prerequisites: Japanese 10A; or consent of instructor.
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Japan
10BG
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10BG.
Supplementary Work in Grammar - Intermediate. This supplementary
course is designed for students who are concurrently enrolled
in 10B to enable their acquisition of a better understanding
of Japanese grammar in general and clause linkage in particular.
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Japan
10BS
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10BS.
Supplementary Work in Kanji - Intermediate. For students who
are concurrently enrolled in 10B to acquire a better understanding
of kanji writing system and to improve overall kanji performance.
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Japan
100B
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100B.
Advanced Japanese. Continuation of J100A. This course aims
to develop further communicative skills in speaking, listening,
reading and writing in a manner appropriate to the context.
It concentrates on enabling students to use acquired grammar
and vocabulary with more confidence in order to express functional
meanings, while increasing linguistic competence. Course materials
include the textbook, supplemented by newspaper and magazine
articles and short stories to provide insight into Japanese
culture and society. Active student participation is not only
encouraged but required. Prerequisites: Japanese 100A;
or consent of instructor.
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Japan
100S |
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100S.
Japanese for Sinologists. Students will be trained to read, analyze,
and translate modern Japanese scholarship on Chinese subjects.
A major purpose of the course is to prepare students to take
reading examinations in Japanese. The areas of scholarship to
be covered are: politics, popular culture and religion, sociology
and history, as well as areas suggested by students who are actively
engaged in research projects. Two readings in each area will
be assigned: one by the instructor and the second by a student
participant. Prerequisites: Graduate standing; Chinese 100B or
equivalent. |
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Japan
102
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102.
Fourth-Year Readings: Japanese Culture. This course is designed
for students who have studied Japanese for three years or more
at college
level to improve their reading, writing, speaking and listening
skills. It aims to develop further the vocabulary and knowledge
of kanji and Japanese grammar through reading and discussing
various topics related to Japanese culture. Students will
research culture topics and give a short presentation on their
findings. Prerequisites: Japanese 100B; or consent of instructor.
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Japan
112
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112.
Fifth-Year Japanese B. This course provides focused, high-level
language training for those students who possess advanced ability
in the modern Japanese language. Students will improve their
skills in reading, writing, speaking and listening in their
areas of specialty and in fields of particular interest to
them. The course has a dual-track approach, requiring the completion
of both class-wide and individually designed projects. The
balance of the course focuses on perfecting reading and writing
skills. With the instructor’s assistance, students pursue
their own projects based on extensive reading of materials
in their areas of specialization. These projects will be presented
orally to the class. Further, when possible, visiting scholars
from Japan are invited to the classroom to speak, their topics
discussed afterwards. This provides a valuable opportunity
for students to practice listening and speaking high-level,
educated Japanese. Committed study at home is expected, and
essential for success in this course. Prerequisites:
Japanese 111 or equivalent; or consent of instructor.
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Japan
132
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132.
Pre-Modern Japanese Diary (Nikki) Literature. In this class
we read in the original premodern Japanese passages from major
women’s quasi-autobiographical works of the Heian period.
The texts date from the 10th and 11th centuries and include
Murasaki Shikibu’s journal, the author of The Tale
of Genji as well as Sei Shônagon’s widely-read book
of court life, Pillow Book. The other three texts are Kagerô Diary
(a complaint about married life), Izumi Shikibu’s Story (a love affair’s progress as seen primarily through the
poems the two lovers exchanged), and Sarashina Memoir (a woman’s
retrospection on her life as a lover of fiction, sometimes
imperial attendant, and believer of Buddhism). All of these
writers employed sophisticated narrative techniques to present
a specific persona of themselves to their contemporary readers.
The class emphasis will be on the sometimes difficult language
of these texts, all prominent examples of literary effort written
in the script called onnade (“women’s hand”).
The overall themes and characteristics of the texts at hand
and the prose literature of the Heian period in general will
be frequently discussed. The class is conducted in English.
Prerequisites: Japanese 100A and Japanese 120; or consent of
instructor. [WEBSITE]
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159.
Contemporary Japanese Literature: “Mishima: myths and masks
of postwar Japan.” The life, death, and work of Mishima Yukio
(1925-1970) constitute an extraordinary instance of self-production,
or self-fashioning. It
incorporates Mishima's highly conscious attempt to “write himself” into
the
postwar history of Japan both as a physical “body” (one literally
remade to
approximate an ideal of male beauty) at the head of a similarly designed
private—but unarmed—army, and as the author of a literary testament
of classic scope. This course will treat the “Mishima phenomenon” in
three aspects: 1) in the context of postwar Japan's cultural and political
history; 2) as an author particularly concerned to create in the
classicizing mode; and 3) in terms of his aestheticized theory of
transformative political action. Primary readings in the course (to be read
in both Japanese and English) will consist of selections from Mishima's
novels, short stories as well as political and critical essays. These
readings will be supplemented by a selection of contextual treatments
designed to convey something of the social and institutional milieux in
which Mishima was formed.
Prerequisites:
J100B; or consent of instructor. |
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Japan
170
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170.
Classical Japanese Literature in Translation: "Love in
Premodern Japanese Literature." In this course we will
explore the complex topic of love in classical Japanese literature
by focusing on two culturally important and in many ways contrasting
eras of premodern Japan, the high-classical period of eleventh
century Heian Japan and the Genroku culture associated with
the pleasure quarters of seventeenth century Edo Japan. For
the Heian period, we will read personal memoirs by women, narrative
fiction, poetry, and prose vignettes based on poems. For the
Genroku period, we will read short stories and plays. In both
cases students will also be assigned secondary material that
provides relevant historical and cultural information regarding
these two periods. Where appropriate we will compare notions
and ideals of romantic relationships as portrayed in these
works with Western ideals that developed in classical and medieval
Europe. Prerequisites: None. [WEBSITE]
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Japan
172 NEW!
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172.
Tokyo: Biography of a City. In this course,
we will explore the four hundred year history of Tokyo, one
of the greatest cities to rise in Asia and the world. Using
a variety of sources that include literature, art, and film,
we will begin with the creation of Edo (Tokyo's former name)
as the castle town of Japan's ruling military family and trace
the centuries-long changes brought to the city by evolving
samurai ethics, culture, commerce, industry, modernization,
and globalization. Prerequisites: None.
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Japan
259
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259.
Seminar in Postwar Japanese Literature: “Literature and
its Allied Arts.” In
this course we will read a variety of literary
texts in their relationship to non-literary arts. Topics include rebuses
in the Heian period, Kibyôshi in the Edo period,
Meiji literature and watercolor painting,
the Meiji “beautiful
girl” in
literature and painting, food and the popular
Meiji novel, Taisho film and literature, the
1920s language of the craft object, censorship of literary
and visual
images in the 1950s, conceptual art and the
demise of writing in the 1960s, film and its theories, and
the postwar photography and writing of crime. Most of
these sections will be taught by visiting faculty; the content
of the remaining sections will be decided
by the class.
Prerequisites:
Graduate standing and reading knowledge of Japanese; or consent
of instructor.
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Korean language and
Literature Courses
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Korean
1B
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1B.
Elementary Korean for Non-heritage Speakers. Building on the
basic grammar of the Korean language learned from Korean
1A, Korean 1B will introduce more vocabulary
and expressions that are useful for everyday conversation.
Students will also learn about the Korean culture.. Prerequisites:
Korean 1A; or consent of instructor.
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Please
note: Korean 1B is not open to heritage students who have
some background
knowledge in Korean.
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Korean
1BX
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1BX.
Elementary Korean for Heritage Speakers. Continuation of Elementary
Korean 1AX. Building on
the basic grammar of the Korean language learned from Korean
1AX, Korean 1BX will introduce more vocabulary
and expressions that are useful for everyday
conversation as well as for improving reading and writing skills
of students. Students who wish to enroll in
K1BX without prior taking K1AX will need to
have an oral interview and take a short written proficiency
test on the first day of the class. Prerequisites: Korean 1AX;
or
consent of instructor.
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Korean
7B
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7B.
Introduction to Modern Korean Literature and Culture. This
course explores various aspects of modern Korean literature
and culture in the twentieth century. We will examine a range
of literary works as well as art and film, in the contexts
of colonialism and nationalism, the Korean War and national
division, and the various issues that emerged in the process
of modernization. No previous course work in Korean or Korean
studies required. All readings are in English translation.
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Through
critical analysis of the works of fiction, poetry, and visual
media, we will consider the following set of matters:
1) how the issues of national identity, gender, and socio-economic
class are articulated in a diverse array of texts; 2) the complex
relations between colonialism and a rise of modernist thinking
about the national culture, and between cultural production and
formation of identity; 3) modern views on urban and rural space;
and 4) how the major events in modern Korean history (colonial
occupation, war, urban unrest, political violence, dislocation
and relocation) have been represented and remembered in literary
texts and in popular culture. Prerequisites:
None. |
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Korean
10B
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10B.
Intermediate Korean. Korean 10B is a continuation of Korean
10A and will continue to use the materials and methods used
in 10A. The aim of the course is to help the students develop
the language skills necessary to pursue the study of Korean
at a more advanced level. The course will introduce vocabulary
and idioms beyond basic level, complex grammatical patterns,
and varieties of speech styles. Prerequisites: Korean
10A; or consent of instructor.
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Korean
10BX
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10BX.
Internediate Korean for Heritage Speakers. A second-year
course in modern Korean for students whose Korean proficiency
level is higher in speaking than in reading or writing due
to Korean-heritage background. Prerequisites: Korean 10AX;
or consent of instructor.
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Korean
100B
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100B.
Advanced Korean. Continuation of Advanced Korean 100A using
similar methods and format to 100A. Readings in modern Korean
selected as appropriate for the advanced Korean course, i.e.,
presupposing two and one-half years of college-level Korean.
A variety of texts from textbooks, essays, journals, and newspapers
will be introduced. About 100 Sino-Korean characters will be
systematically introduced. Prerequisites: Korean 100A; or consent
of instructor.
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Korean
102
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102.
Fourth-Year Readings – Social Sciences and History.
An
advanced course in the reading and analysis of texts in modern
Korean drawn from history, sociology, economics, etc. Advanced
conversation, writing skills, and practice in the use of standard
reference tools will also be emphasized, with the goal of preparing
students to do independent research in Korean. Prerequisites:
Korean 100B; or consent of instructor.
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Korean
112 NEW!
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112.
Fifth-Year Korean B. This course is designed to increase the
students' proficiency to advanced-high level in all aspects
of modern Korean; it aims to prepare students for research
or employment in a variety of Korea-related fields. Text materials
are drawn from authentic sources including modern Korean literature,
film, intellectual history, and readings on contemporary issues.
Radio and TV broadcasts will also be included in the teaching
materials. Texts will be selected, in part, according to student
interests. With the instructor's guidance, students will conduct
research projects based on specialized readings in their own
fields of study. The research projects will be presented both
orally and in written form at the end of the semester. Prerequisites:
Korean 111; or consent of instructor.
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Korean
140 NEW!
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140.
Narrating
Persons and Objects in Traditional Korean Prose: “Late
Choson Fiction and Popular Culture.” This course
will explore the relationship between traditional Korean narrative
fiction and the various performative and visual expressions
that came to be associated with popular culture in the late
Choson period (from the seventeenth century through 1910).
Reading focuses on a few seminal works of narrative fiction
from the late Choson period, together with materials drawn
from visual culture and performance tradition, such as p’ansori,
as well as historical documents and modern scholarly essays
in literature and cultural history. The course aims to promote
a critical understanding of popular culture in its intersection
with literature, while functioning simultaneously as an introduction
to pre-modern Korean prose. Prerequisites: Korean 100 or equivalent;
or consent of instructor.
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Korean
200
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200.
Special Topics in Korean Literature for Graduate Students: “Text
as Object.” Focusing
on the culture of book collecting in the eighteenth and nineteenth
centuries, this seminar explores various intersections of literature
and material culture in late Chŏson Korea. We will examine
the literary (and some visual) representations of private libraries
and bibliophiles, antiquarianism and other intellectual investments
in antiquity, and materialism in the urban culture surrounding
the multi-tiered elite groups in Seoul, while situating these
issues in the period of unprecedented exchanges between the
Chŏson literati and their Qing counterparts. Among the
questions to be addressed are: What does it mean to collect,
display,
or destroy a text? How do texts operate as objects of personal
obsession and self-fashioning? How does the antiquarian culture
of collecting shape the knowledge of the accessible antiquity
in relation to the present, as it affects the bibliographic,
as well as literary, taxonomies? What are some of the ways
in which the materialist preoccupation with text as object
registers the contemporary philosophical discourses on the
nature of the material world vis-à-vis the nature and
moral subjectivity of human, as well as the broader social
concerns about the shifting conditions in the material world
of the late Chŏson period? Finally, how does the attention
to the materialist approach to literature unsettle the idea
of reading literature as a supposedly “immaterial” event? Prerequisites: Graduate standing;
or consent of instructor.
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Note:
Students in Chinese or Japanese, as well as those specializing
in history, art history, and other disciplines are welcome
to join the seminar. Students without the reading knowledge
of Korean should contact the instructor during the first week
so that appropriate readings can be supplied. |
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Tibetan Language Courses
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Tibetan
1B
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1B.
Elementary Tibetan. This course is an intensive introduction
to both standard spoken
Tibetan (Lhasa dialect) and written literary Tibetan. As such,
it will serve the needs of students who intend to continue the
study of modern Tibetan so as to function in a Tibetan-speaking
environment, as well as the needs of students who will concentrate
on classical Tibetan and its rich literature. Prerequisites:
Tibetan 1A; or consent of instructor. |
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Tibetan
10B
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10B.
Intermediate Tibetan. This course, a continuation of 10A,
is designed to develop the student's reading, writing, listening,
and speaking abilities in standard Tibetan (Lhasa dialect).
The course focuses on both modern vernacular Tibetan as well
as literary Tibetan, with a particular emphasis on reading
classical Buddhist materials. Prerequisites: Tibetan 10A; or
consent of instructor.
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Tibetan
110B NEW!
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110B.
Intermediate Tibetan. This course is an intensive course in
reading modern and classical Tibetan literature, with an emphasis
on classical Buddhist texts. It builds on basic reading skills
acquired in 1A-1B (elementary Tibetan), and is designed to
be taken either concurrently with 10A-10B (intermediate Tibetan)
or independently. Prerequisites: Tibetan 10A; or consent of
instructor.
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Tibetan
C114
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C114.
Tibetan Buddhism. This course is an introduction to
some of the major themes in Tibetan Buddhist thought and practice.
Beginning with a close study of Patrul Rinpoche’s classic
nineteenth century guide to Tibetan Buddhism, the first month
of the course will focus on the doctrinal foundations of the
tradition. This will be followed by consideration of a recent
anthropological monograph on a Tibetan Buddhist village in
Nepal. From there, the course will follow a chronological overview
of the historical development of Tibetan Buddhism from the
seventh century to the present day. Themes considered during
the second half of the course include ethics, ritual, art,
sacred geography, and biographical literature. Readings will
consist of primary texts in translation supplemented by secondary
literature on the study of religion and Tibetan Buddhism.
Prerequisites: None.
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