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COURSE DESCRIPTIONS |
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COURSE
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Course
Descriptions Spring 2005
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Buddhism Courses |
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Buddhsm
115 NEW!
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115.
Japanese Buddhism. A critical survey of
the main themes in the history of Japanese Buddhism,
as those are treated in modern scholarship. The course covers:
the
transmission of Buddhism from China and Korea to Japan; the
subsequent
evolution in Japan of the Tendai, Shingon, Pure Land, Nichiren,
and Zen
schools of Buddhism; the organization and function of Buddhist
institutions
(monastic and lay) in Japanese society; the interaction between
Buddhism and other modes of religious belief and practice prevalent
in
Japan, notably those that go under the headings of "Shinto" and "folk
religion"; and the recent emergence of so-called New Religions
that derive their inspiration chiefly from the Buddhist tradition..
Prerequisites: None.
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Buddhsm
124
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124.
Buddhism and Film. This course will use the medium of film
to explore various themes and issues in the study of Buddhism.
At the same time, we will use ideas culled from Buddhism to
reflect back on the nature and power of film. We will be screening
a wide variety of international and domestic films, from Hollywood
blockbusters to small independent films and documentaries.
Themes to be considered include: the epistemic status of the
viewing subject, the place of imagination and visualization
in Buddhist meditation and ritual, contesting Asian and Western
notions of Buddhist authority, Orientalism, and the role of
projection and fantasy in cinematic representations of Buddhism.
The films will be accompanied by primary and secondary readings
on Buddhist history and literature, religious studies, and
film theory. Prerequisites:
None.
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Buddhsm
220 |
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220.
Seminar in Buddhism and Buddhist Texts. This semester the seminar
will focus on the Vimalakirti Sutra, using the new edition of
the Potala Palace Sanskrit manuscript as well as the various
extant editions in Tibetan and Chinese. We will supplement our
readings of the Sanskrit, Tibetan, and Chinese texts with a variety
of secondary works on early Mahayana Buddhism. Students must
have reading knowledge of Sanskrit or Tibetan or Classical Chinese.
Prerequisites: Consent of instructor required. |
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Buddhsm
240 NEW!
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240.
Readings in Chan and Zen Buddhist Literature.
This graduate seminar is an intensive introduction to primary
sources used in the study of Chan and Zen Buddhism. It is designed
to be of interest to a range of graduate students working on
premodern Chinese and Japanese culture (literature, philosophy,
intellectual history, religion, art, etc.). The seminar will
also introduce students to Asian and Western language reference
tools for the study of East Asian Buddhist texts, including
web resources. Prerequisites: Graduate standing; and one year
of Classical Chinese or Kanbun, as well as familiarity with
East Asian history and culture.
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Chinese Language and
Literature Courses
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Chinese
1B
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1B.
Elementary Chinese. A continuation of Chinese 1A, Chinese 1B
provides elementary training in listening, speaking, reading,
and writing in Modern Standard Chinese. It is designed to help
you learn enough Chinese to enable you to handle your needs
adequately in Chinese-speaking places or communities. Building
upon Chinese 1A, Chinese 1B will further introduce a core vocabulary
and fundamental structures. You will be able to describe person/thing/event/place/time/feeling,
describe and comment on food, provide and obtain information
about borrowing/renting and returning, ask for and give directions,
accept and reject invitations, describe health problems and
give advice, and compare different places, sports, and prices.
You will learn how to understand Chinese well enough to carry
out routine tasks and engage in simple conversations. In addition
to further mastering the Pinyin Romanization system, you will
learn how to read and write 320 new Chinese characters and
compounds derived from combining these characters, as well
as read and write short messages, postcards, simple notes,
and short descriptions. You will also learn about some aspects
of Chinese culture. Prerequisites: Chinese 1A; or consent of
instructor.
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Please
note: Chinese 1B is not open to native speakers of any Chinese
dialect
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Chinese
1BX
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1BX.
Elementary Chinese for Mandarin Speakers. Second semester of
Elementary Chinese for heritage students. The course teaches
both pinyin and traditional characters, introduces functional
vocabulary, and provides a systematic review of grammar. The
class meets three times a week, one hour a day. If you have
not taken Chinese 1AX, to enroll in this class you must first
take the online Chinese Language Placement Test. Find the online
test at ealc.berkeley.edu. Students are responsible for enrolling
in the appropriate level. They must also accurately inform
instructors about their language proficiency level. Any student
who enrolls in a class below his/her level will be dropped
from the class. Prerequisites: Chinese 1AX; or consent of instructor.
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Chinese
1BY
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1AY.
Elementary Chinese for Speakers of Other Dialects. Chinese
1BY, an elementary Mandarin Chinese course for non-Mandarin
speaking Chinese dialect heritage learners,
is a continuation of Chinese 1AY. The course
provides further training in language skills. Linguistic forms
and ways of using them are taught to meet
learners' language needs. The course prepares
Chinese dialect heritage learners to merge with Mandarin heritage learners
at an intermediate level for continuous learning. Prerequisites:
Chinese 1AY; or consent
of instructor.
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Chinese
7B
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7B.
Introduction to Chinese Literature and Culture-Modern. 7B.
Introduction to Chinese Literature and Culture - Modern. Chinese
7B is the second semester in a year long sequence introducing
students to the literatures and cultures of China. We will
read many of the major authors, works, and literary genres
from the Yuan Dynasty to modern times, and place these writings
in their historical, cultural, and material contexts. This
course does not assume or require any previous exposure to
or coursework in Chinese literature, history, or language.
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This
semester we will pay particular attention to the emergence of
vibrant new urban and vernacular cultures in the late imperial
period and their relation with classical traditions and literati
culture, as well the revolutionary cultural transformations of
the late 19th and 20th centuries. The course will both survey
the literary and cultural topography that every serious student
of China ought to know, while at the same time developing the
critical reading and writing skills necessary to traverse and
imaginatively engage with that historical terrain. All readings
are in English translation. Students who are conversant in Chinese
are encouraged to read original texts whenever possible. Prerequisites:
None. Recommended: Chinese 7A. |
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Chinese
10B
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10B.
Intermediate Chinese. Five one-hour meetings in class, two
one-hour periods in the language or computer lab per week.
The course, a continuation of Chinese 10A, is designed to develop
the student's reading, writing, listening, and speaking abilities
in Chinese, and teaches both simplified and traditional characters.
Prerequisites: Chinese 10A; or consent of instructor.
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Chinese
10BX
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10BX.
Intermediate Chinese for Mandarin Speakers. Continuation of
Chinese 10AX, an intermediate-level course for Mandarin speakers.
The course teaches both pinyin and traditional characters,
develops a functional vocabulary, and provides a systematic
review of grammar. Three one-hour meetings in class and two
one-hour periods in the language or computer lab per week.
Prerequisites: Chinese 10AX; or consent of instructor.
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Chinese
24 |
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24.
Freshman Seminar: “Early Chinese Thought.” This
seminar will explore the early history of Chinese philosophy
during its classic period: the late Spring and Autumn and Warring
States eras (7th century to 3rd century B.C.E.). We will concentrate
on the classic books that represent the major schools of thought.
These will include: the Analects of Confucius, the utilitarian
and pragmatic Mozi, the Daoist Zhuangzi, the Legalist Hanfeizi,
and the syncretic Lüshi chunqiu. Each of our two-hour meetings
will be devoted to one of these seminal works. We will draw from
this and other material in our discussions of the early Chinese
conceptions of ethics, sexuality, politics, self-cultivation,
desire, and aesthetics. Each student will choose a topic of special
interest for the research paper. All readings will be English
translations. This seminar will meet for the first eight weeks
of the semester, beginning January 26, 2005 and ending March
16, 2005. Prerequisites: Freshman standing. [COURSEWEB] [BLACKBOARD] |
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Please
note: Chinese 24 is open only to Freshman |
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Chinese
100B
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100B.
Advanced Chinese. The goal of the course is to introduce modern
Chinese culture while developing competence in reading, speaking
and writing standard modern Chinese. The readings include stories,
essays, and plays, mostly by leading writers of recent decades.
Students prepare in advance, then read and discuss in Chinese
in class. Literary aspects are discussed in addition to problems
of vocabulary and syntax. Prerequisites: Chinese 100A; or consent
of instructor.
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Chinese
100BX
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100BX.
Advanced Chinese for Mandarin Speakers. Continuation of Chinese
100AX, an advanced-level course for Mandarin speakers with
intermediate-level knowledge of reading and writing in Chinese.
The goal of the course is to introduce modern Chinese society
through reading materials and discussion. The reading materials
include stories, essays, and plays, mostly by leading writers
of recent decades. Three one-hour meetings in class and two
one-hour periods in the language or computer lab per week.
Prerequisites: Chinese 100AX; or consent of instructor.
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Chinese
102
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102.
Readings in Modern Chinese - Social Sciences and Literature.
The emphasis of this course is on Chinese social, political,
and
journalistic readings. The readings are further supplemented
by newspaper articles. Students are required to turn in essays
written in journalistic style in Chinese. Prerequisites: Chinese
100B; or consent of instructor.
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Chinese
110B
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110B.
Introduction to Literary Chinese. The second half of a one-year
introductory course in literary Chinese, continuing the set
of grammar review topics from the first semester, and giving
basic coverage of more relevant issues in the history of the
language and writing system, and the use of basic reference
sources. Readings for this semester will be drawn from early
historiographical texts. Prerequisites: Chinese 110A; or consent
of instructor.
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Chinese
156 |
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156.
Modern Chinese Literature. TBA. Prerequisites: TBA. |
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Chinese
183
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183.
Traditional Chinese Culture. This course consists of lectures
that provide a general overview of traditional Chinese culture
from the early Zhou dynasty through the Tang (the 1st millennium
BCE through the 9th century of this era). Special emphasis
is given to the origins and development of philosophy, art,
religion, prose, and poetry. The subjects to be covered include:
the Chinese language and writing system, the classical canon,
Confucianism and its opponents, historiography, the traditions
and techniques of Taoism, hero cults and ancestor worship,
burial practice, ghost stories, and the introduction of Buddhism
and its role in early Chinese society. Prerequisites: None. [COURSEWEB] [BLACKBOARD]
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Chinese
220 |
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220.
Seminar in Plilological Analysis of Ancient Chinese Texts: "A
Study of the Lunheng Essays on Death, Ghosts, and the
Afterlife." The seminar for spring 2005 is devoted to the Lunheng of
Wang Chong (27-97? CE). We will focus on a group of chapters
that sets forth
Wang Chong’s views on death, the ontology of ghosts and
the landscape of the netherworld. What will perhaps concern us
more than either Wang Chong’s views or his ways of arguing,
is the wide window his writings incidentally provide on the beliefs,
opinions, assumptions, and customs current in Wang Chong’s
day. Our work will mostly involve reading and analyzing Wang
Chong’s writings. We will secondarily be concerned with
compiling and considering a bibliography of relevant secondary
scholarship.
Prerequisites: Graduate standing; good command of literary Chinese.[FULL
DESCRIPTION] |
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Chinese 234
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234.
Texts on the Civilization of Medieval China: "Early-Medieval
Literary Culture." In this course we will read and discuss
a variety of sources in the literary
culture of the period from the last decades of the Eastern
Han through the Southern Dynasties (late second–sixth
centuries). Specific topics to be addressed include the relation
between literary production and elite self-fashioning (as for
example in the parallel rise of discourses of character evaluation
and of first-person lyric poetry); developments in hermeneutical
thought in early-medieval academic culture (including for example
the vogue of “discovery” and/or forgery of classic
texts as a parallel to more conventional literary production);
the implications of the developing culture of eremitic withdrawal
for literary writing; and the appearance of a transcendent
aesthetic of nature and the natural and the analogues to this
development in early Chinese Buddhism.. Prerequisites:
Graduate standing; good command of Classical Chinese.
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Chinese
257
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257.
Modern Chinese Literature: "Fiction in Nineteenth Century China."
In recent years, both literary scholars and historians have
pushed back the temporal boundaries of Chinese modernity by
examining the tumultuous and transitional late Qing era. In
this seminar, we will survey mid-to-late Qing fiction and other
literary works, review the current revisionist scholarship,
and in doing so, attempt to situate Chinese fiction within
the world-historical horizon of the Victorian era. Topics to
be considered include the transformation of narrative modes
in the late Qing, genre fiction (detective novels, novels of
sentiment, science fiction, courtesan fiction), the translation,
appropriation, and circulation of Western discourses and texts
in China (including scientific works, social theory, and narrative
fiction). In examining the emergence of new literary modes
and new nationalisms in the last decades of the Qing, we will
focus in particular on questions of coloniality, gender, race,
and evolutionary theory. Original texts will include works
by Arthur Conan Doyle, Charles Dickens, Han Bangqing, Li Ruzhen,
Liang Qichao, Lin Shu, Ma Junwu, Wu Jianren, Harriet Beecher
Stowe, and Yan Fu, and others. Prerequisites: Graduate standing;
excellent command of modern and classical Chinese.
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East Asian Languages
and Cultures Courses
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EA
Lang 100 NEW!
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100.
Reading Alternative Spaces: "Exile and Empire."
Statements about being isolated or outcast articulate
not only
the conditions of seclusion and difference, but also the politics
of space and identity that foreground a mode of ordering the
world. The trope of exile as it appears in literature thus
provides a useful site to comparatively examine the various
texts’ critical engagement with both global and local
spaces and identities. This course is a wide-ranging investigation
of literary as well as other cultural representations that
hypothesize exile, focusing particularly on the permutations
of such cultural space in Korean literary imaginations. Our
examinations will focus on the narratives of exile which developed
in the context of three key historical moments that inspired
rethinking of the world order: the late Chosôn interaction
with the Qing empire and then with the West; the colonial interaction
with the Japanese empire; and the postwar national division
followed by the persisting postcolonial interaction with the
United States.
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Through
careful analysis of the texts, the course will explore several
articulations of the poetics of exile, beginning first with the
motif of the “island of the righteous” in late Chosôn
literature, and turning subsequently to the narratives about
urban dislocation and “internal exile” produced in
twentieth century colonial Korea, the divided Koreas, and the
Korean diaspora. Through these texts, we will consider a broader
issue of the role of a space-inspired imagination (such as literary
exile) in shaping, as well as understanding, the social or representational
order of the given world, the conception of identity, and the
styles of narration or visual presentation. All readings will
be in English translation. Prerequisites:
None. |
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Japanese Language and
Literature Courses
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Japan
1B
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1B.
Elementary Japanese. Continuation of Elementary Japanese 1A
using the same general format (written and oral/aural quizzes
every Friday) and textbook. Emphasis is on spoken, reading,
and written Japanese. Grades will be determined on the basis
of attendance, quiz scores, homework, in-class final examination,
and class participation. Prerequisites: Japanese 1A; or consent
of instructor.
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Japan
1BS
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1BS.
Supplementary Work in Kanji. A course designed to be taken
concurrently with 1B to help students improve overall kanji
performance. The course will make the kanji learning process
easier by providing exercises and background information about
the relationships between characters and how they function.
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Japan
7B
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7B.
Introduction to Japanese Literature and Culture — Modern.
An introduction to Japanese literature in
translation. This course provides a survey
of important works of 19th- and 20th-century Japanese fiction,
poetry, and cultural criticism. The course
will explore the manner in which writers responded
to the challenges of industrialization, internationalization,
and war. Topics include the shifting notions
of tradition and modernity, the impact of Westernization on
the constructions of the self and gender, writers and the wartime
state, literature of the atomic bomb,
and postmodern fantasies and aesthetics. All
readings are in English translation. Techniques
of critical reading and writing will be introduced as an integral
part of the course. Prerequisites: None.
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Japan
10B
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10B.
Intermediate Japanese. In this course, students will learn
how to integrate the basic structures and vocabulary which
they learned in Japanese 1A/B and Japanese 10A in order to
express a wider range of ideas, and will study the new structures
and vocabulary necessary to express such ideas in a manner
appropriate for many social situations. Students are expected
to participate fully in classroom activities and discussions.
Prerequisites: Japanese 10A; or consent of instructor.
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Japan
10BS
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10BS.
Supplementary Work in Kanji - Intermediate. For students who
are concurrently enrolled in 10B to acquire a better understanding
of kanji writing system and to improve overall kanji performance.
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Japan
100B
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100B.
Advanced Japanese. Continuation of J100A. This course aims
to develop further communicative skills in speaking, listening,
reading and writing in a manner appropriate to the context.
It concentrates on enabling students to use acquired grammar
and vocabulary with more confidence in order to express functional
meanings, while increasing linguistic competence. Course materials
include the textbook, supplemented by newspaper and magazine
articles and short stories to provide insight into Japanese
culture and society. Active student participation is not only
encouraged but required. Prerequisites: Japanese 100A;
or consent of instructor.
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Japan
100S |
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100S.
Japanese for Sinologists. Students will be trained to read,
analyze, and translate modern Japanese scholarship on Chinese
subjects. A major purpose of the course is to prepare students
to take reading examinations in Japanese. The areas of scholarship
to be covered are: politics, popular culture and religion,
sociology and history, as well as areas suggested by students
who are actively engaged in research projects. Two readings
in each area will be assigned: one by the instructor and the
second by a student participant. Prerequisites: Graduate standing;
Chinese 100B or equivalent. |
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Japan
102
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102.
Fourth-Year Japanese B. This course is designed for students
who have studied Japanese for three years or more at college
level to improve their reading, writing, speaking and listening
skills. It aims to develop further the vocabulary and knowledge
of kanji and Japanese grammar needed to read books written
for Japanese college students and the general public on various
topics and to engage in discussions on what has been read.
Althoug much class time will be spent on reading-related activities,
students will also listen to mini-lections given by guest speakers
and are expected to participate in discussions. Prerequisites:
Japanese 100B; or consent of instructor.
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Japan
112
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112.
Fifth-Year Japanese B. This course provides focused, high-level
language training for those students who possess advanced ability
in the modern Japanese language. Students will improve their
skills in reading, writing, speaking and listening in their
areas of specialty and in fields of particular interest to
them. The course has a dual-track approach, requiring the completion
of both class-wide and individually designed projects. The
balance of the course focuses on perfecting reading and writing
skills. With the instructor’s assistance, students pursue
their own projects based on extensive reading of materials
in their areas of specialization. These projects will be presented
orally to the class. Further, when possible, visiting scholars
from Japan are invited to the classroom to speak, their topics
discussed afterwards. This provides a valuable opportunity
for students to practice listening and speaking high-level,
educated Japanese. Committed study at home is expected, and
essential for success in this course. Prerequisites:
Japanese 111 or equivalent; or consent of instructor.
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Japan
142
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142.
Japanese Medieval Prose. This course focuses on a single formative
text in the history of Japanese literature, the Heike Monogatari.
Its principal subject is the political intrigue and civil war
between the Taira and Minamoto clans that brought the Heian
period to a close. The course in primarily designed to further
skills in reading classical Japanese. We will do close readings
in Japanese of selected sections from this long, episodic work,
sections chosen to demonstrate the variety of subject matter
encompassed in Heike Monogatari. There will also be a few
supplementary readings in English. Prerequisites: Japanese
100A and Japanese 120; or consent of instructor.
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Japan
155 |
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155.
Modern Japanese Literature: "Japanese Experimental Writings."
In this class, we will read experimental works of fiction and
poetry in Japanese. Beginning with the modernist writings of
Shinkankakuha (New Sensation School) and avant-garde poetry of
the 1920s, we will look at different currents of literary experimentalism
leading up to comtemporary literature, including postmodernist
fiction and new trends in the traditional tanka composition.
Readings will include works by Yokomitsu Riichi, Kawabata Yasunari,
Inagaki Taruho, Hagiwara Kyôjirô, Kitasono Katsue,
Kitagawa Fuyuhiko, Abe Kôbô, Takahashi Gen'ichirô and
Masuno Kôichi. Challenging the normative literary style,
the writings by these authors will provide us with a platform
to contemplate the functions and operations of literary language.
The primary goal of this class is the comprehension of literary
works in the original. By reading texts that resist smooth and
sytematic absorption and claim to be something more than transarent
media, class participants are expected to hone their ability
to analyze literary stlye. Prerequisites: Japanese 100B; or consent
of instructor. |
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Japan
161
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161.
Introduction to
Japanese Linguistics: Usage. This course deals
with issues of the usage of the Japanese language and how they
have been treated in the field of linguistics. It concentrates
on pragmatics, speech varieties (politeness, gender, written
vs. spoken), topic management, historical changes, and genetic
origins. Students are required to have advanced knowledge of
Japanese. No previous linguistics training is required. Prerequisites:
100B or equivalent, may be taken concurrently.
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Japan
170 NEW!
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170.
Classical Japanese Literature in Translation: "Love in Premodern
Japanese Literature." In this course we will explore the complex
topic of love in classical Japanese
literature by focusing on two culturally important and in many
ways contrasting eras of premodern Japan, the high-classical
period of eleventh century Heian Japan and the Genroku culture
associated with the pleasure quarters of seventeenth century
Edo Japan. For the Heian period, we will read personal memoirs
by women, narrative fiction, poetry, and prose vignettes based
on poems. For the Genroku period, we will read short stories
and plays. In both cases students will also be assigned secondary
material that provides relevant historical and cultural information
regarding these two periods. Where appropriate we will compare
notions and ideals of romantic relationships as portrayed in
these works with Western ideals that developed in classical
and medieval Europe. Prerequisites: None. [HOMEPAGE]
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Japan
173 NEW!
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173.
Modern Japanese Literature in Translation: "Marginal Identities
in Modern Japanese Literature." Japan is rarely associated
with the notion of diversity. The discourse surrounding Japanese
society generally leans towards the idea of singularity and
uniformity rather than of pluralism, rendering invisible those
identities that do not fit the mold. This course is designed
to introduce various aspects of Japanese sociocultural identity
as represented in works of fiction from the early 20th century
to the present. Topics include ethnic minorities, social class
and non-normative sexuality, as well as crises of identity.
We will also explore the problems concerning the representations
of marginal identities and the process of their acceptance
in the literary institution and society at large. All readings
are in English translation. Prerequisites: None.
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Japan
186 |
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186.
Japanese Drama in Translation. Lectures will cover the three
major forms of traditional Japanese drama: noh, bunraku (puppet
theater) and kabuki. Readings will consist of translations of
plays and English language secondary articles. Dramatic texts
will be analyzed as literature and, to some extent, as performance.
In-class videos will be used to demonstrate performance practices.
Prerequisites: None. |
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Japan
230
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230.
Seminar in Classical Japanese Poetry: Man'yôshû.
Man'yôshû (The
Collection of a Myriad Leaves / Ages) is the oldest
extant anthology of poetry in Japanese. With the bulk of its
4,500 poems dating from the seventh and eighth
centuries, it constitutes the inevitable starting
point for any diachronic study of Japanese verse. The
poems in the anthology provide the opportunity for literary archaeology
of the first order, allowing us to disinter evidence about some
of the most exciting dialectics in early Japanese literary
history: between oral practice and the tentative
beginnings of the written tradition, between
religious ritual and literary art, between imported and
native artistic systems, and between communal expression and
the development of the individual literary
consciousness..
Prerequisites: Graduate standing; or consent of instructor.
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Japan
255
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255.
Seminar in Prewar Japanese Literature: Japanese Modernism 1923
- 1932." In this seminar we will read and discuss modernist
literature against the backdrop of its contemporary culture,
in an attempt to renegotiate its boundaries. We will focus,
although not exclusively, on the years between the Great Kanto
Earthquake and the Manchurian Incident, when modernist literature
came to the forefront of the literary scene along with its
"nemesis," proletarian literature. An emphasis of
our exploration will be placed on the relationship between
modernist and proletarian
literature, two literary movements that shared many traits
and even participants yet are commonly described to have been
antagonistic to one another. Special attention will also be
given to the short-lived phenomenon of modanizumu bungaku,
which remains a blind spot in the scholarship of Japanese modernism
as it continues to be marginalized in both literary and cultural
studies. Prerequisites: TBA.
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Japan
259 |
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259.
Seminar in Postwar Japanese Literature. Reading and critical
evaluation of selected texts in postwar (1940-present) Japanese
fiction, drama, or poetry. Prerequisites: Graduate standing;
or consent of instructor. |
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Korean language and
Literature Courses
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Korean
1B
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1B.
Elementary Korean for Non-heritage Speakers. The class meets
five days a week, one hour per day. Building on the basic grammar
of the Korean language learned from Korean
1A, Korean 1B will introduce more vocabulary and expressions that are useful for everyday conversation.
Students will also learn about the Korean culture.. Prerequisites:
Korean 1A; or consent of instructor.
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Please
note: Korean 1B is not open to heritage students who have
some background
knowledge in Korean.
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Korean
1BX NEW!
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1BX.
Elementary Korean for Heritage Speakers. Continuation of Elementary
Korean 1AX. The class meets three days a week, one hour per
day. Building on
the basic grammar of the Korean language learned from Korean
1AX, Korean 1BX will introduce more vocabulary
and expressions that are useful for everyday
conversation as well as for improving reading and writing skills
of students. Students who wish to enroll in
K1BX without prior taking K1AX will need to
have an oral interview and take a short written proficiency
test on the first day of the class. Prerequisites: Korean 1AX;
or
consent of instructor.
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Korean
7B
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7B.
Introduction to Modern Korean Literature and Culture. This
course explores various aspects of modern Korean literature
and culture in the twentieth century. We will examine a range
of literary works as well as art and film, in the broader contexts
of the early twentieth century development of nationalism,
the Korean War and national division, and the various issues
that emerged in the process of modernization. All readings
are in English translation.
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Through
critical analysis of the works of fiction, poetry, and visual
media, we will consider
the following set of matters: 1) how the issues of national identity,
gender, and socio-economic class are articulated in a diverse
array of texts; 2) the complex relations between colonialism
and a rise of modernist thinking about the national culture,
and between cultural production and formation of identity; 3)
modern views on urban and rural space; 4) how the major events
in modern Korean history (colonial occupation, war, urban unrest,
political violence, dislocation and relocation) have been represented
and remembered in literary texts and in popular culture. Prerequisites:
None. |
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Korean
10B
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10B.
Intermediate Korean. Korean 10B is a continuation of Korean
10A and will continue to use the materials and methods used
in 10A. The aim of the course is to help the students develop
the language skills necessary to pursue the study of Korean
at a more advanced level. The course will introduce vocabulary
and idioms beyond basic level, complex grammatical patterns,
and varieties of speech styles. Prerequisites: Korean
10A; or consent of instructor.
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Korean
100B
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100B.
Advanced Korean. Continuation of Advanced Korean 100A using
similar methods and format to 100A. Readings in modern Korean
selected as appropriate for the advanced Korean course, i.e.,
presupposing two and one-half years of college-level Korean.
A variety of texts from textbooks, essays, journals, and newspapers
will be introduced. About 100 Sino-Korean characters will be
systematically introduced. Prerequisites: Korean 100A; or consent
of instructor.
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Korean
102
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102.
Fourth-Year Readings – Social Sciences and History.
An
advanced course in the reading and analysis of texts in modern
Korean drawn from history, sociology, economics, etc. Advanced
conversation, writing skills, and practice in the use of standard
reference tools will also be emphasized, with the goal of preparing
students to do independent research in Korean. Prerequisites:
Korean 100B; or consent of instructor.
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Tibetan Language Courses
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Tibetan
1B NEW!
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1B.
Elementary Tibetan. This course is an intensive introduction
to both standard spoken
Tibetan (Lhasa dialect) and written literary Tibetan. As such,
it will serve the needs of students who intend to continue the
study of modern Tibetan so as to function in a Tibetan-speaking
environment, as well as the needs of students who will concentrate
on classical Tibetan and its rich literature. Prerequisites:
Tibetan 1A. |
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