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COURSE DESCRIPTIONS |
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Buddhism |
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COURSE
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Course
Descriptions Fall 2007 |
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Buddhism Courses |
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Please
note that the "Buddhsm" category is no longer used.
These courses can now be found under other EALC categories. |
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Chinese Language and
Literature Courses |
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Chinese 1A |
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1A.
Elementary Chinese. A beginning (Mandarin) Chinese class developing
listening, speaking,
reading, and writing skills in modern standard Chinese, using
pinyin and simplified characters. Five hours in class, two hours
in the language laboratory, and one required half-hour tutorial meeting
every week. Prerequisites: None. |
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Please
note: Chinese 1A is for students who: 1) are of
non-Chinese origin and were not raised in a Chinese-speaking
environment; or 2) are of Chinese origin but do not speak any
dialect of Chinese and whose parents do not speak any dialect
of Chinese. Students are responsible for enrolling in the appropriate
level and section. They must also accurately inform instructors
about their language proficiency level. Any student who enrolls
in a class below his/her level will be dropped from the class. The required tutorial sections will be scheduled once classes begin. |
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Chinese 1AX |
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1AX.
Elementary Chinese for Mandarin Speakers. The course teaches
both pinyin and traditional characters, introduces
functional vocabulary, and provides a systematic review of grammar.
The class meets on Mondays, Wednesdays, and Fridays, one hour
a day. Prerequisites: Consent of instructor. |
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Please
note: Chinese 1AX is for students who: 1) were born in a non-Chinese-speaking
country but were raised in a home where Mandarin was spoken and
possess little or no reading and writing skills in Chinese, or
2) were born in a Chinese-speaking country and received zero
or limited formal education in that country up to the second
grade. All students must take the online Chinese Language Placement
Test at ealc.berkeley.edu before enrolling. Any student who enrolls
in a class below his/her level will be dropped. |
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Chinese 1AY |
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1AY.
Elementary Chinese for Speakers of Other Dialects.
The class uses Pinyin and traditional characters. Five hours
in class, one-half hour discussion session, and at least two
hours in the language laboratory every week. Prerequisites: Consent
of instructor. |
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Please
note: Chinese 1AY is for students who: 1) were born in a non-Chinese
speaking country but were raised in a home where a non-Mandarin
Chinese dialect was spoken and possess little or no reading and
writing skills in Chinese, or 2) were born in a Chinese-speaking
country in a home where a non-Mandarin Chinese dialect was spoken
and received zero or limited formal education in that country
up to the second grade. All students must take the online Chinese
Language Placement Test at ealc.berkeley.edu before enrolling.
Any student who enrolls in a class below his/her level will be
dropped. The required tutorial sections will be scheduled once classes begin. |
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Chinese 7A |
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7A.
Introduction to Chinese Literature and Culture-Premodern. Chinese
7A is the first semester in a year long sequence introducing
students to the literatures and cultures of China. We will
read many of the major authors, works, and literary genres
from the beginnings of Chinese civilization to the Song dynasty,
look at aspects of Chinese visual and material culture, and
place these artifacts in their historical and cultural contexts.
This course does not assume or require any previous exposure
to or coursework in Chinese literature, history, or language.
The course surveys the expansive literary and cultural topography
of early China, while at the same time helping students to
develop the reading and writing skills needed to engage critically
and imaginatively with that historical terrain. Prerequisites:
None. |
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Chinese 10A |
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10A. Intermediate Chinese.
This course is designed to develop student's reading, writing,
listening and speaking abilities in (Mandarin) Chinese, and teaches
both simplified and traditional characters.
Additional time is required for tutorials and language lab. Prerequisites: Chinese 1A/B; or consent of instructor. |
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Chinese 10AX |
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10AX. Intermediate Chinese
for Mandarin Speakers. Students who have completed Chinese 1AX/1BX
may enroll in Chinese 10AX, an intermediate level course for
Mandarin speakers. The course teaches both pinyin, simplified
and traditional characters, develops a functional vocabulary,
and provides a systematic review of grammar. Three one-hour meetings
in class and one one-hour periods in the language or computer
lab per week. Prerequisites: Chinese 1BX; or consent of instructor. |
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Chinese 100A |
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100A. Advanced Chinese.
The goal of the course is to introduce modern Chinese culture
while developing competence in reading, speaking and writing
standard modern Chinese. The readings and conversation include
stories, essays, and plays, mostly by leading writers of recent
decades. Students prepare in advance, then read and discuss texts
and sentence patterns in their literary, social, and cultural
contexts. A half-hour tutorial meeting
is required every week. Prerequisites:
Chinese 10B; or consent of instructor. |
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Please
note: The required tutorial sections will be scheduled once classes begin. |
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Chinese 100AX |
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100AX. Advanced Chinese
for Mandarin Speakers. Students who have completed Chinese 10AX/10BX
may enroll in Chinese 100AX, an advanced level course for Mandarin
speakers who have intermediate-level knowledge of reading and
writing in Chinese. The goal of the course is to introduce modern
Chinese society through reading materials and discussion. The
readings and conversation materials include stories, essays,
and plays, mostly by leading writers of recent decades. Students
prepare in advance, then read and discuss texts and sentence
patterns in their literary, social, and cultural contexts. Class
meets 3 days a week for one hour per day. Prerequisites: Chinese
10BX; or consent of instructor. |
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Chinese 101 |
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101. Readings in Modern
Chinese - Literature. The goal of the course is to assist students
in attaining high levels of proficiency in listening, speaking,
reading and writing. The primary instructional tool will be comparative
studies of contemporary works of Chinese literature in conjunction
with the movies that are based upon them. This multimedia approach
serves to cultivate skills in all four areas listed above. Three
hours of lecture/discussion per week. Prerequisites: Chinese
100B; or consent of instructor. |
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Chinese 110A |
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110A.
Introduction to Literary Chinese. Readings in pre-Han, Han-Dynasty,
Six Dynasties and Tang-Dynasty texts. This course introduces
the basic grammatical structures and core vocabulary of literary
Chinese. Emphasis is on grammatical analysis and careful explication
of classical usage. At the same time, attention is paid to
introducing the various genres of prose and poetry and discussing
their distinguishing features. This course is also meant to
provide some introductory background on the formation of the “Confucian
Classics” and the texts of the “Taoist Canon.” Prerequisites:
Chinese 10B is recommended. |
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Chinese
111 |
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111.
Fifth-Year Chinese A. This course is designed to bring up the
students to advanced-high competence in all aspects of modern
Chinese; it aims to prepare students for research or employment
in a variety of China-related fields. Materials are drawn from
native-speaker target publications, including modern Chinese
literature, film, intellectual history, and readings on contemporary
issues. Radio and TV broadcasts will also be included among
the teaching materials. Texts will be selected, in part, according
to the students' interests. With the instructor's guidance,
students will conduct their own research projects based on
specialized readings in their own fields of study. The research
projects will be presented both orally and in written form
by the end of the semester. Prerequisites: Chinese 102; or
consent of instructor. |
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Chinese
122 |
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122.
Ancient Chinese Poetry: "Poetic Traditions of Early China." This course will provide an overview of Chinese poetic traditions from the earliest texts up to the Eastern Han dynasty (first and second centuries CE). As we develop familiarity with the formal and expressive characteristics of the main early poetic types, we will also consider the range of social, political, and religious functions served by poetic writing and performance in early Chinese cultures. We will also consider these early poems in the context of early theories of music and language and traditions of poetic interpretation. Primary texts to be studied include the Classic of Poetry (Shi jing) along with early schools of interpretation of this classic, the Songs of Chu (Chu ci), as well as selections from Han dynasty fu poetry (sometimes termed “rhapsody”). Readings will include a combination of excerpts from the original classical Chinese and English and modern Chinese translations. Prerequisites: Chinese 110A; or consent of instructor. |
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Chinese
158 NEW! |
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158.
Reading Chinese Cities. Chinese cities are the sites of complicated global/local
interconnections as the nation is increasingly incorporated
into the world system. Understanding Chinese cities is the
key to analyzing the dramatic transformation of Chinese society
and culture. This course is designed to teach students to think
about Chinese cities in more textured ways. How are urban forms
and urban spaces produced through processes of social, political,
and ideological conflict? How are cities represented in literary,
cinematic, and various popular cultures? How has our imagination
of the city been shaped and how are these spatial discourses
influencing the making of the cities of tomorrow?
Prerequisites: Chinese 100B/100BX (may be taken concurrently);
or consent of
instructor. |
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Chinese
182 NEW! |
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182.
Death and Funerary Practice in China. This course examines
funerary practices in Chinese history, as a means to explore
views of the body, the function of ritual, and conceptions
of the afterlife. We will consider the history of burial practice
and tomb ornamentation, and the role of imperial tombs in the
construction of authority. We will devote particular attention
to the way in which the disposition of the corpse functioned
as a liminal space onto which debates about cultural values
could be projected. Such debates include discussions about
the appropriate degree of mourning rites in Warring States
thought, filiality and cremation in Confucian discourse, mummification
and auto-cremation in Buddhism, and issues surrounding burial
in contemporary China. |
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Chinese
230 |
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230.
Seminar in Chinese Literary History: “Tang Dynasty Poetry and Poetic Writing.” This seminar will provide a forum for students to read deeply and broadly through the history of Tang dynasty poetry and poetic writing, and to familiarize themselves with relevant research methodology. Keeping in mind the particular concepts and concerns reflected in pre-modern Chinese poetic theory (both leading up to the Tang, and subsequently formulated in response to the works of that period), we will broach a range of interrelated subjects, including: poetic self-portrayal; the complex interplay among the rhetorical modes of hyperbole and reticence, implicitness and overtness, and allusion and intertextuality; the development of specific themes and genres; and experimentation with the boundary between normative and the “strange” poetic writing. Prerequisites: Graduate standing (or permission of the instructor) and good reading knowledge of Classical Chinese. |
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Chinese
255 |
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255.
Late Imperial Fiction and Drama. Chinese 255 will focus this
year on the vernacular short story (huaben) of the late Ming
and early Qing. We will be thinking about the question of how
to read the vernacular short story, examining both canonical
and lesser-known works by Feng Menglong, Ling Mengchu, Langxian,
Li Yu, Ai Na, and various anonymous authors. What sort of context
should we invoke for the huaben – how, for example, should
we read their representation of their relation to the historical
and the material? In what sense can they be read as commenting
on such trends as the presumed vogue for male love, or the
rise of the mercantile? How do the formal properties of the
genre invite, yet frustrate, the reader’s attempts at
interpretation? How should we conceive of the reading of character,
particular in relation to the novels and the drama of this
period? Given the frequency with which huaben are taught, and
the paucity of recent critical interpretations, this is an
area in which the research of current graduate students can
truly make a difference. Prerequisites: Graduate
standing; or consent of instructor. |
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Chinese
280 |
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280.
Modern Chinese Cultural Studies: “Historical Phonography.” This seminar will explore
what sorts of new knowledge or fresh analytical angles might become
possible by way of an “auditory turn” in the study
of modern Chinese cultural history. This is an as yet emergent
field, and as such, we will have to address a number of fundamental
questions. How do we locate an ‘archive’ with which
to work? Is the archive limited to recorded sound —be it
musical, cinematic, radiophonic, telephonic, or otherwise? How
can we ‘listen’ to textual and visual sources? What
do we do with the sounds we hear? How do we write about auditory
phenomena? What sorts of forms (musical, aesthetic, narrative,
spatial, technological, commodity, social, national) mediate the
production, dissemination, and consumption of sound, and how might
the transformation of these forms help us track China’s historical
trajectory in the twentieth century? Can studying the history of
phonography yield a phonographic history? |
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We
will begin by surveying relevant theoretical and historical
scholarship on auditory culture, media technology, music and
cinematic sound.
We will then move on to a series of case studies organized
around three particularly significant moments in the history
of modern
auditory culture: the interwar period, the global 1960s, and
our own digital age. Topics to be considered may include colonial
phonography; music and modernism in the Chinese jazz age; the
introduction of sound cinema; Chinese popular music across
the geopolitical divides of the Cold War; folk music and the
1960s
folk revival; Maoism and the engineering of a total soundscape;
digital and portable technologies in post-socialism; vernacular
sound and globalization; documentary cinema, ethnographic sound,
and historical memory. |
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Prerequisites:
Graduate standing. Proficiency in modern Chinese language is
very helpful, but not necessarily required. The course is designed
so as to accommodate students in related and cognate fields (Ethnomusicology,
Cinema studies, Japanese, History), as well as those specializing
in Chinese literature and cultural studies. |
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East Asian Languages
and Cultures Courses |
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EA
Lang 103 NEW! |
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103.
Writing, Visuality, and the Powers of Images. What is an image? Why do images seem to have such uncanny powers? What
are the relationships between images (visual, verbal, imaginary, etc.) and
that which they represent? What kinds of relationships between different
peoples, genders, things, places, cultures, and historical moments do
images mediate? And what’s at stake in asking such questions? |
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It’s a truism that we live in a world saturated with images, but anxieties
over images are hardly unique to our own historical moment. Images have
been ongoing subjects of reflection for centuries, while the stories
literary texts tell about images are particularly revealing of beliefs in
the powers and limits of writing as well as of visual images, and of the
ways in which such beliefs are almost invariably intertwined with
questions of knowledge and power, of the borders of life and death, and of
the politics of gender, history, and culture. |
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In this course, we will examine how fictional and historical texts from
various parts of Asia and the West explore such questions of images. We
will track how understandings of the powers of images change, persist, and
are re-appropriated across historical time and cultural space, and
consider the critical light “premodern” texts and texts from our “modern”
world of images can project upon each other. Readings include texts by Pu
Songling, Tang Xianzu, Li Yu, Tanizaki, Richard Powers, and Orhan Pamuk. Prerequisites: None. |
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EA
Lang C120 |
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C120.
Buddhism on the Silk Road.
This course will discuss the social, economic, and cultural
aspects of Buddhism as it moved along the ancient Eurasian
trading network referred to as the “Silk Road”.
Instead of relying solely on textual sources, the course will
focus on material culture as it offers evidence concerning
the spread of Buddhism. Through an examination of the Buddhist
archaeological remains of the Silk Road, the course will address
specific topics, such as the symbiotic relationship between
Buddhism and commerce; doctrinal divergence; ideological shifts
in the iconography of the Buddha; patronage (royal, religious
and lay); Buddhism and political power; and art and conversion. |
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This
course is designed as an historical introduction to the Silk
Road, understood as an ever-changing series of peoples, places,
and traditions, as well as an introduction to the study of those
same peoples, places, and traditions in the modern period. In
this way, the class is intended both as a guide to extant textual,
archaeological, and art historical evidence from the Silk Road,
and as a framework for thinking about the modern Silk Road regions
from the perspective of a contemporary American classroom. Prerequisites: None. |
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EA
Lang 200 |
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200.
Proseminar: Approaches to East Asian Studies. This course introduces incoming graduate students to literary and cultural
theory and criticism. We’ll explore perspectives central and/or
foundational to intellectual work across the humanities (including
structuralism, poststructuralism, psychoanalysis, feminism and gender
studies, postcolonialism, image-word studies, and Marxian and materialist
approaches). A central concern will be to explore which the ways in which
critical perspectives produced from various positions within East Asian
cultural, literary, and visual studies, both premodern and modern,
intersect with current intellectual debates in the humanities. Prerequisites: Graduate student standing; or consent of instructor. |
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Japanese Language and
Literature Courses |
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Japanese 1A |
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1A. Elementary Japanese.
Japanese 1A is designed to develop basic speaking skills and
to learn hiragana, katakana, and approximately 150 kanji. At
the end of the course, the students should be able to describe
themselves, their family and friends, and to talk about everyday
events with basic vocabulary and structures. They also should
be able to read simple passages in Japanese. Prerequisites: None. |
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Japanese
1AL |
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1AL.
Supplementary Work in Listening--Elementary. Designed to supplement
1A in order to facilitate students' listening
proficiency. 1AL will cover a variety of listening strategies
and practice applications of such strategies in listening
activities. Students will engage in listening activities, including
audio/visual exercises that will focus on the matrerials that
are taught in Japanese 1A. |
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Japanese 1AS |
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1AS. Supplementary Work
in Kanji. A course designed to be taken concurrently with 1A
to help students improve overall kanji performance. The course
will make the kanji learning process easier by providing exercises
and background information about the relationships between characters
and how they function. |
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Japanese 7A |
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7A.
Introduction to Premodern Japanese Literature and Culture.
The field of Japanese literature is extraordinarily rich; it
covers over twelve centuries of texts, including the thousand-page
classic, The Tale of Genji, often described as the world’s
oldest novel, and the seventeen-syllable haiku, one of the
shortest poetic forms and still one of the most popular. Like
all her eleventh-century aristocratic contemporaries, the author
of Genji believed in spirit possession, dream prophecy, and
reincarnation. And yet her depiction of the subtle workings
of male competition and female jealousy is as psychologically
subtle and perceptive as any passage in Proust, to whom she
is often compared. J7A will begin with a look at Japan's early
myth-history, Kojiki, and first extant poetry anthology, Man'yôshû,
which show the transition from preliterate, communal society
to a highly developed courtly culture. Examples of the rich
Japanese female diary tradition follow, and then two weeks
on Genji, the high-point of Heian prose. The second half of
the course, examines medieval literature, including religious
and aesthetic essays by cultured monks and violent yet intensely
moving war stories, sung by priests to the accompaniment of
lutes. We will conclude by reading the poetry and travel literature
of Bashô, often called Japan's last medieval poet.
Prerequisites: None.
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Japanese 10A |
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10A. Intermediate Japanese.
In this course, students will learn how to integrate the basic
structures and vocabulary which they learned in Japanese 1A/B
in order to express a wider range of ideas and will study the
new structures and vocabulary necessary to express such ideas
in a manner appropriate for many social situations. Students
are expected to participate fully in classroom activities and
discussions. Although the main emphasis will be aural/oral skills,
an increasing amount of reading and writing will also be required.
Prerequisites: Japanese 1A/B or equivalent; or consent of instructor.
Students who have not taken Japanese 1A/B at this University
may wish to contact the instructors during Phase I Tele-BEARS
to have their language proficiency assessed. |
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Japanese
10AG |
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10AG.
Supplementary Work in Grammar - Intermediate. This supplementary
course is designed for students who are concurrently enrolled
in 10A to enable their acquisition of a better understanding
of Japanese grammar in general and clause linkage in particular. |
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Japanese 10AS |
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10AS. Supplementary
Work in Kanji - Intermediate. For students who are concurrently
enrolled in 10A to acquire a better understanding of kanji writing
system and to improve overall kanji performance. |
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Japanese 100A. |
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100A. Advanced Japanese.
This course aims to develop further communicative skills in speaking,
listening, reading and writing in a manner appropriate to the
context. It concentrates on enabling students to use acquired
grammar and vocabulary with more confidence in order to express
functional meanings, while increasing linguistic competence.
Course materials include the textbook, supplemented by newspaper
and magazine articles and short stories to provide insight into
Japanese culture and society. There will be a project which will
give students the opportunity to interact with Japanese university
students. Active student participation is not only encouraged
but required. Prerequisites: Japanese 10B or equivalent; or consent
of instructor. |
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Japanese
101 |
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101.
Fourth-Year Readings: Social Sciences. This course provides
further development of reading, writing, speaking, and listening
skills
to enable
students to express their points of view and construct argumentative
discourse. Readings include Japanese newspapers, magazines,
a selection of Japanese literature as sources of discussions.
Students learn various writing styles and in-depth aspects
of Japanese culture. Prerequisites: Japanese
100B or equivalent; or consent of instructor.
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Japanese
103 |
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103.
Fourth-Year Readings: Japanese Literature. This course provides
further development of reading, writing, speaking, and listening
skills to enable students to express their points of view and
construct argumentative discourse. In addition to Japanese
literature, readings include newspaper articles and other texts
as sources of discussions in order to become familiar with
various writing styles and learn more aspects of Japanese society
and culture. Prerequisites: Japanese 100B or equivalent; or
consent of instructor. |
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Japanese 111 |
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111.
Fifth-Year Japanese A. This course provides focused, high-level
language training
for those students who possess fourth-year level ability or equivalent
in the modern Japanese language. Students will improve their
ability in reading, writing, speaking and listening in their
areas of specialty and in fields of particular interest to them.
The course may have a dual-track approach, requiring the completion
of both class-wide and individually designed projects. The balance
of the course will focus on the development of reading and writing
skills. With the instructor’s assistance, students will
conduct their own projects based on in-depth reading of materials
drawn from their areas of specialization. These projects will
be presented orally to the class. Further, when possible, visiting
scholars from Japan will be invited to the classroom to speak,
their topics to be discussed afterwards. This will provide an
additional opportunity for the student to practice listening
and speaking of high-level, educated Japanese. Committed study
at home will be essential for success in this course. Prerequisites:
Japanese 102 or equivalent; or consent of instructor. |
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Japanese 120 |
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120.
Introduction to Classical Japanese. Japanese 120 is an introduction
to classical Japanese. After discussing the basics of classical
grammar, we read all of Hôjôki (An account of my
hut) and parts of Heike monogatari (The tale of the Heike).
The emphasis is on translation into English, grammatical explication,
and cultural and literary milieu. Most class meetings are devoted
to the reading of the assigned texts. Students read the text
aloud, answer questions regarding grammar and literary content,
and translate into English. Students are encouraged to read
the provided footnotes for practice in modern Japanese and
basic background information as well as translations into modern
Japanese, English, or other languages. But a line-by-line translation
into English by the student is also essential for adequate
class preparation. Prerequisites: Japanese 10B or equivalent;
or consent of instructor. Not open to graduates of Japanese
high schools. |
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Japanese
130 |
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130.
Classical Japanese Poetry. An introduction to the critical analysis and translation of representative verses from a thousand years of traditional Japanese poetry, a genre that reaches from early declarative work redolent of an even earlier oral tradition to medieval and Early Modern verses evoking exquisitely differentiated emotional states and seasonal transitions via complex rhetoric and literary allusion. Topics may include the poetry of the Man'yôshû Kokinshû, and Shinkokinshû poetic anthologies, linked verse (renga), and the haikai of Bashô and other Early Modern poets.
Prerequisites: Completion of Japanese 120; or consent of instructor. |
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Japanese 155 |
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155.
Modern Japanese Literature. This
course introduces students to various aspects of modern Japanese
literature by reading prose selections, primarily short stories,
by highly regarded authors from the Meiji to Heisei periods
(1868- ). Selected passages in Japanese will be assigned for
close reading, analysis and discussion. Prerequisites: Japanese
100B (may be taken concurrently with J100A with approval);
or consent of instructor. |
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Japanese
160 |
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160.
Introduction to Japanese Linguistics: Grammar. This course
deals with issues of the structure of the Japanese language
and how they have been treated in the field of linguistics.
It focuses on phonetics/phonology, morphology, writing systems,
dialects, lexicon, and syntax/semantics. Students are required
to have advanced knowledge of Japanese. No previous linguistics
training is required. Prerequisites: 100A or equivalent, may
be taken concurrently. |
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Japanese
163 |
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163.
Translation: Theory and Practice. This course provides an overview
of the considerations that the translator must take into account
when approaching a text. Special attention is paid to the structural
differences between Japanese and English, cross-cultural differences
in stylistics, writing with clarity, reference work, etc. Texts
to be considered are drawn from both expository and literary
writings in Japanese. By means of translating selected texts
into English, students will acquire abilities to recognize
common translation problems, apply methods for finding solutions,
and evaluate accuracy and communicative effectiveness of translation.
In consultation with the instructor, each student chooses an
appropriate text to be translated during the course of the
semester. Prerequisites: 102 or equivalent. |
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Japanese
C176 |
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C176.
Archaeology and Japanese Identities. This course attempts to
shed new light on the stereotypical images of the traditional
Japanese culture and people through archaeological analysis.
Specifically, the aims of the course are twofold. First, it
shows how recent archaeological discoveries can change conventional
interpretations of Japanese history. Particular emphasis will
be placed on changing lifeways of past residents of the Japanese
islands, including commoners, samurai (the warrior class) and
nobles. Second, the course aims to discuss the implications
of these archaeological studies on our understanding of Japanese
identities. Prerequistes: None.[WEBSITE] |
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Japanese
240 |
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240.
Seminar in Classical Japanese Texts. This semester the class
will read ‘Diary of Lady Izumi’ (Izumi Shikibu
nikki), an onnade (“woman’s hand” or hiragana)
text dating, most probably, from the 11th century. This text
describes the first ten months of a love affair that was widely
regarded as scandalous at the time it occurred. The diary,
if that is what it truly is, was written by the woman shortly
after her lover died unexpectedly. Their affair is narrated
primarily through the exchange of poems. These poems, especially
how they advance the needs of each lover, will be the primary
focus of analysis and discussion. Prerequisites: Two semesters
of classical Japanese language training or the consent of the
instructor. |
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Japanese
255 |
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255.
Seminar in Prewar Japanese Literature. Close reading of modern Japanese literary and cultural texts within their literary historical, cultural, historical, and theoretical contexts. Particular themes and time periods change with each seminar. Prerequisites: Permission of instructor required. |
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Korean language and
Literature Courses |
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Korean 1A |
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1A. Elementary Korean
for Non-heritage Speakers. Five classroom hours per week are
required. This course introduces students to beginning level
Korean, including Hangul (Korean writing system) and the basic
grammar of the language. Emphasis is on listening, speaking,
reading, and writing skills. This course is for students with
minimal or no knowledge of Korean. Prerequisites: None. |
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Please note: Korean
1A is not open to heritage students who have some background
knowledge in Korean. |
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Korean
1AX |
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1AX.
Elementary Korean for Heritage Speakers. Five classroom hours
per week are required.
This course introduces students to beginning level Korean. This
course is for students who can read Hangul (Korean writing system)
or speak some Korean, but their ability to read, write, or speak
in Korean is somewhat limited. Prerequisites: Some knowledge
of the Korean language; or consent of Instructor. |
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Korean 7A |
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7A.
Introduction to Pre-Modern Korean Literature and Culture. This
course provides an overview of Korean literature and cultural
history, from the seventh century to the late nineteenth century.
We will examine the development of oral tradition from the
ritual songs recorded in Remnants of Three Kingdoms to p’ansori
in late Chosôn period; the major vernacular verse forms
such as sijo and kasa; autobiographical prose; and vernacular
as well as classical narratives, tales, and parables. We will
focus on the interplay of literary texts and performance tradition
by exploring such topics as: various aspects of literati culture
of Koryô and Chosôn; literary articulations of
gender relations; and representations of humor and material
culture. We will also consider the suppleness of traditional
vernacular culture forms as they have been rearticulated throughout
history. Prerequisites: None. |
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Korean 10A |
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10A. Intermediate Korean.
A second-year course in modern Korean with about equal attention
given to listening, speaking, reading and writing with the cultural
emphasis. This course meets five classroom hours per week and
requires one hour of language lab per week. Prerequisites: Korean
1A/B; or consent of instructor. |
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Korean
10AX |
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10AX.
Intermediate Korean for Heritage Speakers. A second-year course
in modern Korean for students whose Korean
proficiency level is higher in speaking than in reading or
writing due to Korean-heritage background. Prerequisites:
Korean 1BX; or consent of instructor. |
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Korean 100A |
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100A. Advanced Korean.
Three 1-hour meetings per week. Readings and discussions in Korean,
of modern writings. A variety of texts such as essays, literary
works, magazines and newspapers will be introduced. Emphasis
is on advanced-level vocabulary, including approximately 100
Sino-Korean characters. Prerequisites: Korean 10A/10B; or consent
of instructor. |
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Korean 101 |
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101.
Fourth-Year Readings – Literature.
An advanced course in the reading and analysis of literary texts
in modern Korean. Advanced conversation, writing skills, and
practice in the use of standard reference tools will also be
emphasized, with the goal of preparing students to do independent
research in Korean. Prerequisites: Korean 100B or equivalent. |
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Korean
111 |
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111.
Fisth-Year Korean A. This course is designed to bring up the
students' proficiency to advanced-high level in all aspects
of modern Korean; it aims to prepare students for research
or employment in a variety of Korea-related fields. Text materials
are drawn from authentic sources including modern Korean literature,
film, intellectual history, and readings on contemporary issues.
Radio and TV broadcasts will also be included in the teaching
materials. Texts will be selected, in part, according to student
interests. With instructor's guidance, students will conduct
research projects based on specialized readings in their own
fields of study. The research projects will be presented both
orally and in written form at the end of the semester. Prerequisites:
Korean 102 or equivalent. |
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Korean
163 |
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163.
Translation: Theory and Practice. This course will provide
an overview of the considerations that a translator must take
into account when approaching a
Korean text. Special attention will be paid to the structural
and linguistic differences between Korean and English as well
as cross-cultural differences in stylistics. Texts to be considered
are drawn from both expository and literary writings in Korean.
By means of translating selected texts in English, students
will acquire abilities to recognize common translating problems,
explore methods for finding solutions, and evaluate accuracy
and communicative effectiveness of translation. Prerequisites:
Korean 100B or equivalent; or consent of instructor. |
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Korean
207A NEW! |
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207A.
Major Issues in Korean Literature and Culture: "Translated Women in the Late Chosŏn Novel." What happens when female lovers from Chinese fiction and drama are cast in Korean narratives? How does such reiteration avoid parody and narrate the characters’ partaking in the Korean native rites and rituals, while performing gender roles appropriate to the native social convention? How do we understand the conventionalized motifs in the vernacular Korean novel that engage the Chinese literary tradition and Chinese writing -- for example as in the lovers’ exchange of classical Chinese poems? What is the status of such poems when the narrative is staged in vernacular oral performance? How might our consideration on the issues on translation, and the interplay of literary convention and social convention, help us to think more critically about the prevailing thesis on late Chosŏn Korean novel as the “inner room” literature? |
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This seminar will explore the intersection of gender, translation, and generic conventions in the Korean novel around the eighteenth century, with a case study of the transfiguration in the late Chosŏn novel of characters and motifs of female lovers drawn from the Chinese literary tradition. We will be thinking about a number of interrelated issues including: gender and genre, classical tradition and vernacular innovation, and various literary conventions in the Korean novel of the late Chosŏn period. We will also consider the condition of authorship, circulation, and consumption of the novel, with a critical attention paid to the so-called “inner room” novels. Prerequisites: Graduate standing; reading knowledge of Korean helpful, but not required. |
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Tibetan Language Courses |
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Tibetan
1A |
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1A.
Elementary Tibetan. This course is an intensive introduction
to both standard spoken Tibetan (Lhasa dialect) and written
literary Tibetan. As such, it will serve the needs of students
who intend to continue the study of modern Tibetan so as to
function in a Tibetan-speaking environment, as well as the
needs of students who will concentrate on classical Tibetan
and it's rich literature. Prerequisites:
None. |
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Tibetan
10A |
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10A.
Intermediate Tibetan. This course, a continuation of 1A-1B
(elementary Tibetan), is designed to further develop the student's
skills in modern standard Tibetan (Lhasa dialect). The emphasis
is on communication skills in vernacular Tibetan, as well as
grammar, reading, and writing. Students with a particular interest
in reading classical literature, particularly Buddhist texts,
are encouraged to enroll simultaneously in 110A-110B. Prerequisites:
Tibetan 1B; or consent of instructor. |
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Tibetan
110A |
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110A.
Intensive Readings in Tibetan. This course is an intensive
course in reading modern and classical Tibetan literature,
with an emphasis on classical Buddhist texts. It builds on
basic reading skills acquired in 1A-1B (elementary Tibetan),
and is designed to be taken either concurrently with 10A-10B
(intermediate Tibetan) or independently. Prerequisites: Tibetan
10A (may be taken concurrently); or consent
of instructor. |
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