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COURSE DESCRIPTIONS |
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COURSE
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Course
Descriptions Fall 2006
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Buddhism Courses |
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Buddhism
50
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50.
Introduction to the Study of Buddhism. A historical survey
of the Buddhist tradition,
in all of its incredible religious and cultural diversity. The
first half of the course focuses on the evolution of Buddhist
doctrines, practices, and institutions in India, from the origins
of the religion as a group of world-renouncing ascetics through
the development of large state-supported monastic communities
and the rise of the movements known as Mahayana and Tantra. The
second half of the course treats major Buddhist movements in
other parts of the world: the Theravada Buddhism of Southeast
Asia; the Tantric Buddhism of Tibet; and the various schools
of East Asian Buddhism, such as Tientai, Pure Land, and Chan
(Zen). It also deals with the issues of Buddhism in the modern
world and the contemporary spread of various branches of the
tradition from Asia to the West. Prerequisites: None.
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Buddhism
115
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115.
Japanese Buddhism. A critical survey of major themes in the
history of Japanese Buddhism. The course covers: the transmission
of Buddhism from China and Korea to Japan; the subsequent evolution
in Japan of the Tendai, Shingon, Pure Land, Nichiren, and Zen
schools of Buddhism during the medieval period; the interaction
between Buddhism, "Shinto," and "folk religion";
the relationship between Buddhism and the state, especially
during the Edo period; Buddhist perspectives on nature, healing,
and pilgrimage; and Buddhist modernism of the Meiji period.
Prerequisites: None. Prerequisites:
None.
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Buddhism
C128
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C128.
Buddhism in Contemporary Society. This semester the class will
focus on the contemporary practice of Indic Buddhism in Nepal
and Sri Lanka, the two areas in South Asia where Buddhism
has survived uninterruptedly to the present. We will approach these two traditions
by examining particular themes such as Buddhist monasticism and its interaction
with the laity, Buddhist "modernism," the practice of meditation,
the cult of stupas and images, festivals of Buddhists deities, life-cycle rituals,
and the relationship to the respective local Hindu traditions. As far as possible
we will do so in a comparative vein, in order to explore differences and commonalities
between the Theravada tradition preserved in Sri Lanka and the Mahayana tradition
preserved in the Kathmandu Valley. Prerequisites: None.
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Buddhism
220
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220.
Seminar in Buddhism and Buddhist Texts. This seminar is an
intensive introduction to various genres of Buddhist literature
in Classical Chinese, including translations of Sanskrit and
Central
Asian scriptures, Chinese commentaries, philosophical treatises, hagiographies,
and sectarian works. It is intended for graduate students who already have
some facility in Classical Chinese. It will also serve as a tools and methods
course, covering basic reference works and secondary scholarship in the field
of East Asian Buddhism. The content of the course will be adjusted to accommodate
the needs and interests of students. Prerequisites: Consent of instructor
required. Prerequisites: Consent of instructor required.
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Chinese Language and
Literature Courses
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Chinese 1A
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1A.
Elementary Chinese. A beginning (Mandarin) Chinese class developing
listening, speaking,
reading, and writing skills in modern standard Chinese, using
pinyin and simplified characters. Five hours in class, two hours
in the language laboratory, and one-half hour tutorial meeting
every week. Prerequisites: None.
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Please
note: Chinese 1A is for students who: 1) are of
non-Chinese origin and were not raised in a Chinese-speaking
environment; or 2) are of Chinese origin but do not speak any
dialect of Chinese and whose parents do not speak any dialect
of Chinese. Students are responsible for enrolling in the appropriate
level and section. They must also accurately inform instructors
about their language proficiency level. Any student who enrolls
in a class below his/her level will be dropped from the class.
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Chinese 1AX
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1AX.
Elementary Chinese for Mandarin Speakers. The course teaches
both pinyin and traditional characters, introduces
functional vocabulary, and provides a systematic review of grammar.
The class meets on Mondays, Wednesdays, and Fridays, one hour
a day. Prerequisites: Consent of instructor.
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Please
note: Chinese 1AX for students who: 1) were born in a non-Chinese-speaking
country but were raised in a home where Mandarin was spoken and
possess little or no reading and writing skills in Chinese, or
2) were born in a Chinese-speaking country and received zero
or limited formal education in that country up to the second
grade. All students must take the online Chinese Language Placement
Test at ealc.berkeley.edu before enrolling. Any student who enrolls
in a class below his/her level will be dropped. |
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Chinese 1AY
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1AY.
Elementary Chinese for Speakers of Other Dialects.
The class uses Pinyin and traditional characters. Five hours
in class, one-half hour discussion session, and at least two
hours in the language laboratory every week. Prerequisites: Consent
of instructor.
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Please
note: Chinese 1AY is for students who: 1) were born in a non-Chinese
speaking country but were raised in a home where a non-Mandarin
Chinese dialect was spoken and possess little or no reading and
writing skills in Chinese, or 2) were born in a Chinese-speaking
country in a home where a non-Mandarin Chinese dialect was spoken
and received zero or limited formal education in that country
up to the second grade. All students must take the online Chinese
Language Placement Test at ealc.berkeley.edu before enrolling.
Any student who enrolls in a class below his/her level will be
dropped. |
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Chinese 7A
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7A.
Introduction to Chinese Literature and Culture-Premodern. Chinese
7A is the first semester in a year long sequence introducing
students to the literatures and cultures of China. We will
read many of the major authors, works, and literary genres
from the beginnings of Chinese civilization to the Song dynasty,
look at aspects of Chinese visual and material culture, and
place these artifacts in their historical and cultural contexts.
This course does not assume or require any previous exposure
to or coursework in Chinese literature, history, or language.
The course surveys the expansive literary and cultural topography
of early China, while at the same time helping students to
develop the reading and writing skills needed to engage critically
and imaginatively with that historical terrain. Prerequisites:
None.
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Chinese 10A
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10A. Intermediate Chinese.
This course is designed to develop student's reading, writing,
listening and speaking abilities in (Mandarin) Chinese, and teaches
both simplified and traditional characters. Five one-hour meetings
in class and two one-hour periods in the language or computer
lab per week. Prerequisites: Chinese 1A/B; or consent of instructor.
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Chinese 10AX
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10AX. Intermediate Chinese
for Mandarin Speakers. Students who have completed Chinese 1AX/1BX
may enroll in Chinese 10AX, an intermediate level course for
Mandarin speakers. The course teaches both pinyin, simplified
and traditional characters, develops a functional vocabulary,
and provides a systematic review of grammar. Three one-hour meetings
in class and one one-hour periods in the language or computer
lab per week. Prerequisites: Chinese 1BX; or consent of instructor.
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Chinese 100A
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100A. Advanced Chinese.
The goal of the course is to introduce modern Chinese culture
while developing competence in reading, speaking and writing
standard modern Chinese. The readings and conversation include
stories, essays, and plays, mostly by leading writers of recent
decades. Students prepare in advance, then read and discuss texts
and sentence patterns in their literary, social, and cultural
contexts. Class meets 5 days a week for one hour per day; students
spend 2 hours per week in the language or computer lab. Prerequisites:
Chinese 10B; or consent of instructor.
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Chinese 100AX
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100AX. Advanced Chinese
for Mandarin Speakers. Students who have completed Chinese 10AX/10BX
may enroll in Chinese 100AX, an advanced level course for Mandarin
speakers who have intermediate-level knowledge of reading and
writing in Chinese. The goal of the course is to introduce modern
Chinese society through reading materials and discussion. The
readings and conversation materials include stories, essays,
and plays, mostly by leading writers of recent decades. Students
prepare in advance, then read and discuss texts and sentence
patterns in their literary, social, and cultural contexts. Class
meets 3 days a week for one hour per day. Prerequisites: Chinese
10BX; or consent of instructor.
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Chinese 101
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101. Readings in Modern
Chinese - Literature. The goal of the course is to assist students
in attaining high levels of proficiency in listening, speaking,
reading and writing. The primary instructional tool will be comparative
studies of contemporary works of Chinese literature in conjunction
with the movies that are based upon them. This multimedia approach
serves to cultivate skills in all four areas listed above. Three
hours of lecture/discussion per week. Prerequisites: Chinese
100B; or consent of instructor.
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Chinese 110A
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110A.
Introduction to Literary Chinese. Readings in pre-Han, Han-Dynasty,
Six Dynasties and Tang-Dynasty texts. This course introduces
the basic grammatical structures and core vocabulary of literary
Chinese. Emphasis is on grammatical analysis and careful explication
of classical usage. At the same time, attention is paid to
introducing the various genres of prose and poetry and discussing
their distinguishing features. This course is also meant to
provide some introductory background on the formation of the “Confucian
Classics” and the texts of the “Taoist Canon.” Prerequisites:
Chinese 10B is recommended.
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Chinese
111 NEW!
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111.
Fifth-Year Chinese A. This course is designed to bring up the
students to advanced-high competence in all aspects of modern
Chinese; it aims to prepare students for research or employment
in a variety of China-related fields. Materials are drawn from
native-speaker target publications, including modern Chinese
literature, film, intellectual history, and readings on contemporary
issues. Radio and TV broadcasts will also be included among
the teaching materials. Texts will be selected, in part, according
to the students' interests. With the instructor's guidance,
students will conduct their own research projects based on
specialized readings in their own fields of study. The research
projects will be presented both orally and in written form
by the end of the semester. Prerequisites: Chinese 102; or
consent of instructor.
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Chinese
120
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120.
Ancient Chinese Prose. Reading of well-known examples of pre-Han
and early Han historical narrative and philosophical argument.
This semester, the course will focus on tales of the supernatural
in the Mozi and the Zuo zhuan. Prerequisites: Chinese 110A
and 110B or a comparable college-level introduction to Classical
Chinese. Courses in literary Chinese at the primary or secondary
school level are not considered adequate preparation. Consent
of instructor is required. [COURSEWEB]
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Chinese
138 NEW!
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138.
Readings in Chinese Drama: "Introduction to Chinese Kunqu Drama
and Music".
This course is an introduction to the history, literature,
and music of pre-modern Chinese drama. It is designed to teach
the basic knowledge of the literature and performance aspects
of drama of the Ming and Qing dynasties up to the present.
Focus will on the chuanqi, a poetic drama genre dominant
in Chinese society until the mid 19th century and still performed
today. Students will read plays in translation or Chinese,
depending on language competence. Chinese language and music
ability are not required but helpful. Prerequisites: None. [FULL
DESCRIPTION]
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Chinese
156 |
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156.
Modern Chinese Literature. This course introduces students to
modern Chinese (diasporic) fiction throughout the 20th century,
covering short stories, novellas and novels from China, Hong
Kong, Taiwan and overseas. We will explore how modern experience
of dislocation in various senses — class and gender, spatial
and temporal, geopolitical and genealogical — figures
in these narratives. The first half of this course includes
texts from the Republican period (1911-49), which register
the alienation of intellectuals from the masses, the
invention of the solitary individual, the rupture between
city and countryside, the haunting of the past, the ruin of
historical disjunction, and the soul/body search of new
women. The second half brings us away from the China proper
to marginal and oversea loci in the post-1949 era, where such
issues as the imaginary mapping of a rootless city, the queer
imagination of the origin, the body politics of (post)
coloniality, and the linguistic promiscuity in the contact
zone become prominent. We will read all the stories in the
original Chinese, supplemented by critical and
biographical articles in English. Prerequisites: Chinese 100A or consent of instructor. |
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Chinese
183
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183.
Traditional Chinese Culture. This course consists of lectures
that provide a general overview of traditional Chinese culture
from the early Zhou dynasty through the Tang (the 1st millennium
BCE through the 9th century of this era). Special emphasis
is given to the origins and development of philosophy, art,
religion, prose, and poetry. The subjects to be covered include:
the Chinese language and writing system, the classical canon,
Confucianism and its opponents, historiography, the traditions
and techniques of Taoism, hero cults and ancestor worship,
burial practice, ghost stories, and the introduction of Buddhism
and its role in early Chinese society. Prerequisites: None. [COURSEWEB]
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Chinese
C185 NEW!
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C185.
Introduction to Chinese Philosophy. This course will acquaint
students with key thinkers from the Zhou dynasty through the
end of the Qing dynasty. While the course is arranged chronologically,
we will also take up more thematic considerations, such as
the development of statecraft, the idea of the self, and the
discourse on kinship. Much of class time will be devoted to
careful readings of primary sources in translation, with attention
to major themes and modes of argument. Prerequisites: None.
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Chinese
230 |
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230.
Seminar in Chinese Literary History: “Readings in Traditional
Chinese Literary Theory and Criticism.” In this seminar
we will read and discuss sources in traditional literary theory
and criticism, from the Southern Dynasties through late-imperial
China, in a range of genres including systematic theoretical
treatises, popular composition manuals, and a range of forms
of practical criticism such as prefaces, marginal notes, and
critical commentaries. Topics to be discussed include theories
of adequacy or inadequacy of literary expression, genre theory,
problems in periodization, and views on the relation between
literary composition and Traditionalist scripture (jing). Prerequisites:
Graduate standing and a good reading knowledge of classical
Chinese. |
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Chinese
255 |
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255.
Late Imperial Fiction and Drama. This course investigates
the possibility suggested by late
imperial Chinese drama and fiction that emotion, instead
of
being interior in oneself, is rather uncannily exterior.
This
exteriority of emotion is best captured by performance and
theatricality — not only peculiar to opera but also
pervasive in fiction — in which emotion is staged
on behalf
of the other and for the eyes of the other rather than self-
expression and absorption. We will examine by what kind of
material process emotion was internalized (and why this
internalization was a recurrent illusion), what sort of socio-economical
as well as philosophical issues informed and were
informed by this internalization and valorization of emotion,
and how this repeatedly enacted (and failed) process of
internalization backfired, resulting in perturbed spirits,
broken tokens, mis-delivered letters or writing women as
the
very "symptoms" pervading Ming-Qing
drama and fiction. We
will focus on both canonical and obscure zaju, chuanqi, short
stories, and novels dating from the sixteenth to eighteenth
century, placing them in the context of a wide range of other
discourses such as philosophical essays, medical treatises,
connoisseurial guidebooks, and woodblock illustrations. All
the primary texts will be in Chinese.
Prerequisites: Graduate standing; or consent of instructor. |
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East Asian Languages
and Cultures Courses
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EA
Lang 101 NEW!
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101.
Catastrophe, Memory, and Narrative: Comparative Responses to
Twentieth-Century Atrocity: "Comparative Cultural Responses
to War in the 20th Century."
This course will examine a range of European, Asian and African
responses to and representations of violent conflict. We will
pay close attention to how catastrophic events are productive
of new forms of expression—oral, written, visual, and
musical—as well as destructive of familiar ones. We will
examine the ways in which experience and its representation
interact during and in the aftermath of extreme violence. Our
empirical cases will be drawn from our research on comparative
European and Asian responses to WWII atrocities, and on the
post-Cold War civil wars in Africa. Our different perspectives,
from both literary and anthropological studies, will bridge
the disciplinary divides among literary and cultural theory,
psychiatry and psychoanalysis, and anthropology and social
theory. We will be especially attentive to the limits and possibilities
of representing violence both during the time it is experienced
and also in the history of its aftermath. Among the representational
genres explored will be personal memoirs, literature and poetry,
film, photography, and other visual arts, music (from protest
songs to classical compositions), built memorials, as well
as the “language of numbers”—the statistical
projections and casualty estimates embedded in human rights
reports about otherwise undocumented atrocities. Through both
humanistic and social science modes of analysis, and through
their combination, we will treat this material as both evidence
and representation.
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After
grounding a series of case studies in their historical contexts,
we will examine a variety of real-life and representational
coping strategies used in the face and aftermath of violent
situations—situations of unprecedented violence that
produce both creative experimentations as well as crises in
social reproduction and “normal” epistemological
categories. We will analyze, through a comparative lens, various
modes of mourning; diverse modes of memorialization of tragedy;
the ethics of the representation of tragedy; revenge and survivor
guilt; and the pursuit of justice through public forums, ranging
from War Crime tribunals to Truth and Reconciliation Commissions.
Throughout, we will be asking about the possibilities, and
the difficulties, of comparing responses in disparate socio-cultural
milieus to different types of atrocities. We will be exploring
the relationship between personal suffering and more encompassing
societal and political violence. We will be concerned with
the relationship among experience, emotion, and their articulation,
and redressive actions in the face of violence—if any.
How, we will ask, might representations of suffering speak
to students interested in considering human rights activism? Prerequisites: None.
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EA
Lang 108
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108.
Revising the Classics: Chinese and Greek Poetry in Translation.
An introductory course on Chinese poetry, both ancient and
modern, in English translation. The course will explore poetic
translation, across languages, across cultures, and across
historical ages, not merely from the perspective of the "accuracy" with
which a classic text is represented in the translation, but
as a window into the nature of poetic tradition and poetic
writing itself. Works to be covered in the course will be primarily
drawn from the Chinese tradition, but in the interest of allowing
a comparative discussion of the course's central themes, a
significant amount of reading, also in translation, from ancient
and modern Greek poetry will be included as well. The goal
of the class is not simply to gain familiarity with Chinese
poetry and poets, but more fundamentally to gain skill and
sophistication in reading, responding to, and thinking about
poetry. All readings will be in English translation. Prerequisites:
None.
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Japanese Language and
Literature Courses
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Japanese 1A
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1A. Elementary Japanese.
Japanese 1A is designed to develop basic speaking skills and
to learn hiragana, katakana, and approximately 150 kanji. At
the end of the course, the students should be able to describe
themselves, their family and friends, and to talk about everyday
events with basic vocabulary and structures. They also should
be able to read simple passages in Japanese. Prerequisites: None.
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Japanese
1AL NEW!
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1AL.
Supplementary Work in Listening--Elementary. Designed to supplement
1A-1B, respectively, in order to facilitate students' listening
proficiency. 1AL will cover a variety of listening strategies.
1BL is a continuation of 1AL where students will apply these
strategies in listening activities.
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Japanese 1AS
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1AS. Supplementary Work
in Kanji. A course designed to be taken concurrently with 1A
to help students improve overall kanji performance. The course
will make the kanji learning process easier by providing exercises
and background information about the relationships between characters
and how they function.
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Japanese 7A
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7A.
Introduction to Premodern Japanese Literature and Culture.
This course surveys many of the best recognized works of poetry,
prose and theater of premodern Japan between from the 8th through
the 17th centuries. The poetic tradition will be traced from
its early origins in the Ancient Period around the time of
the first major collection, the Collection of Ten-thousand
Leaves, through the development of the 31-syllable waka (tanka),
Middle Period renga (linked-verse) sequences and the
short haiku form of premodern Japan. For prose, the two canonical
classics of premodern Japan, The Tale of Genji and The
Tale of the Heike will be read in some depth. Other prose
texts include early poem-tales of romance, personal journals
by both
men and women from both the High Classical and Middle Periods,
and stories of romance set in the “floating world” of
premodern Edo pleasure quarters. For theater we will read several
major plays of the Middle Period’s noh drama
theater then plays revolving around romantic trust written
for the
puppet theater during the premodern era. Reading the texts
will afford discussion of the culture and history of the various
eras as well as an exploration of aesthetic values. There will
be two tests during the regular class schedule and one final
paper of moderate length due during final exam week. The paper
in most cases will involve a careful reading of the complete
text that was covered either partially or not at all in the
class. This course does not assume or require any previous
exposure to or coursework in Japanese literature, history,
or language. Prerequisites: None. [WEBSITE]
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Japanese 10A
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10A. Intermediate Japanese.
In this course, students will learn how to integrate the basic
structures and vocabulary which they learned in Japanese 1A/B
in order to express a wider range of ideas and will study the
new structures and vocabulary necessary to express such ideas
in a manner appropriate for many social situations. Students
are expected to participate fully in classroom activities and
discussions. Although the main emphasis will be aural/oral skills,
an increasing amount of reading and writing will also be required.
Prerequisites: Japanese 1A/B or equivalent; or consent of instructor.
Students who have not taken Japanese 1A/B at this University
may wish to contact the instructors during Phase I Tele-BEARS
to have their language proficiency assessed.
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Japanese
10AG
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10AG.
Supplementary Work in Grammar - Intermediate. This supplementary
course is designed for students who are concurrently enrolled
in 10A to enable their acquisition of a better understanding
of Japanese grammar in general and clause linkage in particular.
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Japanese 10AS
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10AS. Supplementary
Work in Kanji - Intermediate. For students who are concurrently
enrolled in 10A to acquire a better understanding of kanji writing
system and to improve overall kanji performance.
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Japanese 100A.
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100A. Advanced Japanese.
This course aims to develop further communicative skills in speaking,
listening, reading and writing in a manner appropriate to the
context. It concentrates on enabling students to use acquired
grammar and vocabulary with more confidence in order to express
functional meanings, while increasing linguistic competence.
Course materials include the textbook, supplemented by newspaper
and magazine articles and short stories to provide insight into
Japanese culture and society. There will be a project which will
give students the opportunity to interact with Japanese university
students. Active student participation is not only encouraged
but required. Prerequisites: Japanese 10B or equivalent; or consent
of instructor.
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Japanese
101
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101.
Fourth-Year Readings: Social Sciences. This course provides
further development of reading, writing, speaking, and listening
skills
to enable
students to express their points of view and construct argumentative
discourse. Readings include Japanese newspapers, magazines,
a selection of Japanese literature as sources of discussions.
Students learn various writing styles and in-depth aspects
of Japanese culture. Prerequisites: Japanese
100B or equivalent; or consent of instructor.
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Japanese 111
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111.
Fifth-Year Japanese A. This course provides focused, high-level
language training
for those students who possess fourth-year level ability or equivalent
in the modern Japanese language. Students will improve their
ability in reading, writing, speaking and listening in their
areas of specialty and in fields of particular interest to them.
The course may have a dual-track approach, requiring the completion
of both class-wide and individually designed projects. The balance
of the course will focus on the development of reading and writing
skills. With the instructor’s assistance, students will
conduct their own projects based on in-depth reading of materials
drawn from their areas of specialization. These projects will
be presented orally to the class. Further, when possible, visiting
scholars from Japan will be invited to the classroom to speak,
their topics to be discussed afterwards. This will provide an
additional opportunity for the student to practice listening
and speaking of high-level, educated Japanese. Committed study
at home will be essential for success in this course. Prerequisites:
Japanese 102 or equivalent; or consent of instructor.
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Japanese 120
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120.
Introduction to Classical Japanese. This course introduces
premodern literary Japanese (bungo). The first portion
of the semester covers basic principles of classical grammar.
For
the rest of the term, we read from three texts, one each from
the Heian period (11th c.), the Middle period (13th c.), and
the Genroku period (17th c.). This exposes students to various
types of bungo. While the focus will continue to be
on the grammar of premodern Japanese, the assigned texts will
also
be discussed in terms of their literary achievements and the
cultural context within which they were written. Students are
expected to prepare well before class and be ready to answer
questions about the grammar and meaning of the passages assigned.
Prerequisites: Japanese 10B. Students
who have not completed Japanese 10B require permission from
the instructor prior to enrolling. [WEBSITE]
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Japanese
130
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130.
Classical Japanese Poetry. Students will learn approaches
to reading, in the original language, traditional Japanese
poems (waka) by discussing nature poems from two imperial
anthologies (Kokin shû, 10th c. and Shin-Kokin
shû, 13th c.)
and the exchange of romantic poems as contained in one woman’s
memoir (Izumi Shikibu nikki, 11th c.). Emphasis is
on basic waka principles and the ability of the waka to be
ambiguous
when used for romantic dialogue. This class assumes that the
student has a basic understanding of the grammar of premodern
literary Japanese (bungo). Preparation for this class
requires the use of a Japanese-to-Japanese classical dictionary
(kogo
jiten). Prerequisites: Japanese 120 (may not be taken
concurrently). Students who have not completed Japanese 120
will be unceremoniously dropped
from the course. [WEBSITE]
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Japanese 155
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155.
Modern Japanese Literature. This course introduces students
to the various aspects of modern Japanese literature with particular
emphasis on the increasingly evident sense of geographical
and psychological dislocation represented in prose fiction,
popular narratives, and criticism. We will consider the modernist
works of Natsume Sôseki and Akutagawa Ryûnosuke,
the crime stories of Edogawa Rampo, and the hardboiled postmodern
writings of Murakami Haruki. Selected passages in Japanese
will be assigned for close reading, analysis and discussion.
Prerequisites: Japanese 100A; or consent of instructor.
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Japanese
255
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255.
Seminar in Prewar Japanese Literature. Selected readings in
fiction and criticism. Prerequisites: Consent of instructor
required.
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Korean language and
Literature Courses
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Korean 1A
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1A. Elementary Korean
for Non-heritage Speakers. Five classroom hours per week are
required. This course introduces students to beginning level
Korean, including Hangul (Korean writing system) and the basic
grammar of the language. Emphasis is on listening, speaking,
reading, and writing skills. This course is for students with
minimal or no knowledge of Korean. Prerequisites: None.
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Please note: Korean
1A is not open to heritage students who have some background
knowledge in Korean.
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Korean
1AX
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1AX.
Elementary Korean for Heritage Speakers. Five classroom hours
per week are required.
This course introduces students to beginning level Korean. This
course is for students who can read Hangul (Korean writing system)
or speak some Korean, but their ability to read, write, or speak
in Korean is somewhat limited. Prerequisites: Some knowledge
of the Korean language; or consent of Instructor.
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Korean 7A
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7A.
Introduction to Pre-Modern Korean Literature and Culture. This
course provides an overview of Korean literature and cultural
history, from the seventh century to the late nineteenth century.
We will examine the development of oral tradition from the
ritual songs recorded in Remnants of Three Kingdoms to p’ansori
in late Chosôn period; the major vernacular verse forms
such as sijo and kasa; autobiographical prose; and vernacular
as well as classical narratives, tales, and parables. We will
focus on the interplay of literary texts and performance tradition
by exploring such topics as: various aspects of literati culture
of Koryô and Chosôn; literary articulations of
gender relations; and representations of humor and material
culture. We will also consider the suppleness of traditional
vernacular culture forms as they have been rearticulated throughout
history. Prerequisites: None.
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Korean 10A
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10A. Intermediate Korean.
A second-year course in modern Korean with about equal attention
given to listening, speaking, reading and writing with the cultural
emphasis. This course meets five classroom hours per week and
requires one hour of language lab per week. Prerequisites: Korean
1A/B; or consent of instructor.
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Korean
10AX
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10AX.
Intermediate Korean for Heritage Speakers. A second-year course
in modern Korean for students whose Korean
proficiency level is higher in speaking than in reading or
writing due to Korean-heritage background. Prerequisites:
Korean 1BX; or consent of instructor.
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Korean 100A
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100A. Advanced Korean.
Three 1-hour meetings per week. Readings and discussions in Korean,
of modern writings. A variety of texts such as essays, literary
works, magazines and newspapers will be introduced. Emphasis
is on advanced-level vocabulary, including approximately 100
Sino-Korean characters. Prerequisites: Korean 10A/10B; or consent
of instructor.
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Korean 101
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101.
Fourth-Year Readings – Literature.
An advanced course in the reading and analysis of literary texts
in modern Korean. Advanced conversation, writing skills, and
practice in the use of standard reference tools will also be
emphasized, with the goal of preparing students to do independent
research in Korean. Prerequisites: Korean 100B or equivalent.
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Korean
111 NEW!
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111.
Fisth-Year Korean A. This course is designed to bring up the
students' proficiency to advanced-high level in all aspects
of modern Korean; it aims to prepare students for research
or employment in a variety of Korea-related fields. Text materials
are drawn from authentic sources including modern Korean literature,
film, intellectual history, and readings on contemporary issues.
Radio and TV broadcasts will also be included in the teaching
materials. Texts will be selected, in part, according to student
interests. With instructor's guidance, students will conduct
research projects based on specialized readings in their own
fields of study. The research projects will be presented both
orally and in written form at the end of the semester. Prerequisites:
Korean 102 or equivalent.
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Korean
130 |
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130.
Genre and Occasion in Traditional Poetry: "Home, Garden,
and Private Space in Traditional Korean Literature." This
course will explore various literary representations of home,
garden and other private spaces in the Choson period in Korea.
Reading focuses on poetry and essays drawn from the recent
collections of Choson literature. The goal of the class is
not only to introduce traditional Korean literature, but
also to think about the relations between everyday life and
literature,
and between the lived space and its representation in literature.
Prerequisites: Korean 100B; or consent of instructor. |
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Korean
163
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163.
Translation: Theory and Practice. This course will provide
an overview of the considerations that a translator must take
into account when approaching a
Korean text. Special attention will be paid to the structural
and linguistic differences between Korean and English as well
as cross-cultural differences in stylistics. Texts to be considered
are drawn from both expository and literary writings in Korean.
By means of translating selected texts in English, students
will acquire abilities to recognize common translating problems,
explore methods for finding solutions, and evaluate accuracy
and communicative effectiveness of translation. Prerequisites:
Korean 100B or equivalent; or consent of instructor.
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Tibetan Language Courses
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Tibetan
1A
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1A.
Elementary Tibetan. This course is an intensive introduction
to both standard spoken Tibetan (Lhasa dialect) and written
literary Tibetan. As such, it will serve the needs of students
who intend to continue the study of modern Tibetan so as to
function in a Tibetan-speaking environment, as well as the
needs of students who will concentrate on classical Tibetan
and it's rich literature. Prerequisites:
None. |
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Tibetan
10A
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10A.
Intermediate Tibetan. This course, a continuation of 1A-1B
(elementary Tibetan), is designed to further develop the student's
skills in modern standard Tibetan (Lhasa dialect). The emphasis
is on communication skills in vernacular Tibetan, as well as
grammar, reading, and writing. Students with a particular interest
in reading classical literature, particularly Buddhist texts,
are encouraged to enroll simultaneously in 110A-110B. Prerequisites:
Tibetan 1B; or consent of instructor.
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Tibetan
110A NEW!
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110A.
Intensive Readings in Tibetan. This course is an intensive
course in reading modern and classical Tibetan literature,
with an emphasis on classical Buddhist texts. It builds on
basic reading skills acquired in 1A-1B (elementary Tibetan),
and is designed to be taken either concurrently with 10A-10B
(intermediate Tibetan) or independently. Prerequisites: Tibetan
10A (may be taken concurrently); or consent
of instructor.
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