Spring 2019 Course Descriptions
Chinese Language and Literature Courses
The second of a two-semester sequence introducing students to Chinese literature in translation. In addition to literary sources, a wide range of philosophical and historical texts will be covered, as well as aspects of visual and material culture. 7B focuses on late imperial, modern, and contemporary China. The course will focus on the development of sound writing skills.
This course is designed for students who are of non-Chinese origin and were not raised in a Chinese-speaking environment, or who are of Chinese origin but do not speak Chinese and whose parents do not speak Chinese. The course deals with lengthy conversations as well as narrative and descriptive texts in both simplified and traditional characters. It helps students to express themselves in speaking and writing on a range of topics and raises their awareness of the connection between language and culture to foster the development of communicative competence. Note: Prerequisite of Chinese 1B. If you have not taken Chinese 1B, to enroll in this class you must first take the online Chinese Language Placement Exam and be interviewed. Students are responsible for following the instructions at ealc.berkeley.edu to complete the placement process. They must also accurately inform instructors about their language proficiency level. Any student who enrolls in a class below his/her level will be dropped from the class. All Chinese 10A students are required to attend a weekly half hour tutorial. The required tutorial sections will be scheduled once classes begin.
This course further develops students’ linguistic and cultural competence. In dealing with texts, students are guided to interpret, narrate, describe, and discuss topics ranging from real-life experience and personal memoire to historic events. Intercultural competence is promoted through linguistic and cultural awareness and language use in culturally appropriate contexts. Note: Prerequisite of Chinese 10A. If you have not taken Chinese 10A, to enroll in this class you must first take the online Chinese Language Placement Exam and be interviewed. Students are responsible for following the instructions at ealc.berkeley.edu to complete the placement process. They must also accurately inform instructors about their language proficiency level. Any student who enrolls in a class below his/her level will be dropped from the class. All Chinese 10B students are required to attend a weekly half hour tutorial. The required tutorial sections will be scheduled once classes begin.
This course continues to develop students’ literacy and communicative competence through vocabulary and structure expansion dealing with topics related to Chinese heritage students’ personal experiences. Students are guided to express themselves on complex issues and to connect their language knowledge with real world experiences. Note: Prerequisite of Chinese 1X. If you have not taken Chinese 1X, to enroll in this class you must first take the online Chinese Language Placement Exam and be interviewed. Students are responsible for following the instructions at ealc.berkeley.edu to complete the placement process. They must also accurately inform instructors about their language proficiency level. Any student who enrolls in a class below his/her level will be dropped from the class.
This course helps students further develop their linguistic and cultural competence in Mandarin Chinese. It trains students to use Mandarin more appropriately and confidently in speaking, reading, and writing. With the expanded repertoire of Chinese language use and the increased awareness of the differences between cultures and subcultures, students are equipped to negotiate their way in an intercultural environment. Note: Prerequisite of Chinese 1Y. If you have not taken Chinese 1Y, to enroll in this class you must first take the online Chinese Language Placement Exam and be interviewed. Students are responsible for following the instructions at ealc.berkeley.edu to complete the placement process. They must also accurately inform instructors about their language proficiency level. Any student who enrolls in a class below his/her level will be dropped from the class. All Chinese 10Y students are required to attend a weekly half hour tutorial. The required tutorial sections will be scheduled once classes begin.
This course continues the development of critical awareness by emphasizing the link between socio-cultural literacy and a higher level of language competence. While continuing to expand their critical literacy skills, students interpret texts related to Chinese popular culture, social change, cultural traditions, politics and history. Through linguistic and cultural comparisons, students understand more about people in the target society and themselves as well as about the power of language in language use to enhance their competence in operating between languages and associated cultures. Note: Prerequisite of Chinese 100A. If you have not taken Chinese 100A, to enroll in this class you must frst take the online Chinese Language Placement Exam and be interviewed. Students are responsible for following the instructions at ealc.berkeley.edu to complete the placement process. They must also accurately inform instructors about their language proficiency level. Any student who enrolls in a class below his/her level will be dropped from the class. All Chinese 100B students are required to attend a weekly half hour tutorial. The tutorial sections will be scheduled once classes begin.
This course is designed for Chinese heritage language learners who have taken Chinese 100XA or an equivalent course. It guides learners to use their Chinese language knowledge and skills to survey portions of Chinese history and society and to comprehend Chinese cultural heritage in economic and socio-political contexts. Students read and analyze texts discussing cross-strait relations, Chinese people’s basic living necessities, and their changing lifestyles and mindsets since the economic reforms in mainland China. They are also introduced to several important historical figures in modern Chinese history and to modern literary works. In addition to the continuous development of reading techniques for communicative purposes, critical reading skills in the heritage language are also developed in order to interpret subtle meanings in texts. Different styles and genres of Chinese discourses in speaking and writing are further explored along with an increasingly sophisticated vocabulary, phrases, and structures. Moreover, students are required to be able to read both simplified and traditional versions of Chinese characters. The development of critical reading and writing skills enables students to understand more about people in the target culture and themselves, about what determines values and actions, and about the power of language. Note: Prerequisite of Chinese 100XA. If you have not taken Chinese 100XA, to enroll in this class you must first take the online Chinese Language Placement Exam and be interviewed. Students are responsible for following the instructions at ealc.berkeley.edu to complete the placement process. They must also accurately inform instructors about their language proficiency level. Any student who enrolls in a class below his/her level will be dropped from the class.
This course is designed to assist students to reach the advanced-mid level on language skills and to enhance their intercultural competence. Students read the works of famous Chinese writers. Movie adaptations of these writings are also used. In addition to reading and seeking out information, students experience readings by interpreting and constructing meanings and evaluate the effect of the language form choice. Prerequisites: Chinese 100B, 100XB, or 100YB. If you have not taken Chinese 100B, 100XB, or 100YB, to enroll in this class you must first take the online Chinese Language Placement Exam and be interviewed. Students are responsible for following the instructions at ealc.berkeley.edu to complete the placement process. They must also accurately inform instructors about their language proficiency level. Any student who enrolls in a class below his/her level will be dropped from the class.
The second half of a one-year introductory course in literary Chinese, continuing the topics from the first semester, and giving basic coverage of relevant issues in the history of the language and writing system. This course examines the canonical texts of the late-imperial period, placing them in the context of literary culture of the Ming-Qing. The course focuses on a different set of texts each time it is taught; the aim is to introduce students to the primary issues in scholarship of late-imperial fiction and drama over a period of several years. Prerequisite: Chinese 110A
This course is an introduction to the history of Buddhism in China from its beginnings in the early centuries CE to the present day. Through engagement with historical scholarship, primary sources in translation, and Chinese Buddhist art, we will explore the intellectual history and cultural impact of Buddhism in China. Students will also be introduced to major issues in the institutional history of Buddhism, the interactions between Buddhism and indigenous Chinese religions, and the relationship between Buddhism and the state. Previous study of Buddhism is helpful but not required.
Readings in printed and manuscript sources that relate to early Chinese popular religion, the Celestial Masters tradition, medieval Daoist revelations (e.g., Shangqing and Lingbao texts), Daoism and the state, interactions with other traditions, liturgy, alchemy, drama, and modern Daoist practices in China and the diaspora.
Modern Chinese literature was, from the very start, a revolutionary project. In reinventing the Chinese language, 20th century writers such as Lu Xun attempted to fundamentally rewrite Chinese social and political realities. It was also a pedagogical project: instructing readers not only about how to be "Chinese" in a time of imperial incursion and political turmoil, but how to be "modern" in all aspects of their lives, from growing up, to falling in love, to changing the world, to dying. To a shocking degree, the project succeeded. In this course, we will explore the historical world out of which modern Chinese literature emerged; and how this linguistic revolution helped to produce modern China, focusing in particular on the problems of gender, youth, and social marginality. We will read short stories and essays in Chinese by many of the greatest writers and public intellectuals of the twentieth century, including Lu Xun, Shen Congwen, Ding Ling, and Eileen Chang. We will also watch and analyze a select group of cinematic masterworks from the same period. We will conclude the semester with a set of stories and films produced in the aftermath of war and the communist revolution of 1949 that reveal the continuing resonance, as well as showing the tragic limits of this project's utopian aspirations, and perhaps even questioning the coherence of "China" and "Chineseness" as its organizing principle. Prerequisites: Much of the reading in the course will be in the original Chinese texts. Good reading knowledge of modern Chinese, or at the very least, concurrent enrollment in Chinese 100A/AX is thus a requirement for admission to the course. Prior college level work in literature is also helpful.
This course examines the development of Confucianism in pre-modern China using a dialogical model that emphasizes its interactions with competing viewpoints. Particular attention will be paid to ritual, conceptions of human nature, ethics, and to the way that varieties of Confucianism were rooted in more general theories of value.
What do landscapes "do"? How do landscape images and travel narratives mediate experiences of land, nature, and other peoples? How do landscapes map one's place in the world, shaping both cultural identities and real geographic spaces? Can landscapes travel? This course explores such questions by examining one of the world's longest-running traditions of landscape representation. We will consider such landscape genres as poetry, prose description, fiction, travel narrative, maps, painting, and photography, and consider their work across China's long history of imperial expansion, colonization, and globalization. We will also consider China's places in thinking about landscape and travel in the West. Prerequisite: one previous course in literature or cultural studies.
This course sets out to examine a set of “focus chapters” from the Zhuangzi along several dimensions: 1) in the context of Warring States thought, 2) as independent stories that need to be puzzled through and read critically, and 3) tracing the influence of those chapters on subsequent periods of Chinese thought.
This seminar is an intensive introduction to various genres of Buddhist literature in classical Chinese, including translations of Sanskrit and Central Asian scriptures. Chinese commentaries, philosophical treatises, hagiographies, and sectarian works. It is intended for graduate students who already have some facility in classical Chinese. It will also serve as a tools and methods course.
This course examines the canonical texts of the late-imperial period, placing them in the context of literary culture of the Ming-Qing. The course focuses on a different set of texts each time it is taught; the aim is to introduce students to the primary issues in scholarship of late-imperial fiction and drama over a period of several years. This spring we will focus on the conception of fictionality in cross-cultural perspective. Topics will include the importance of Buddhist conceptions of space and time, the influence of commentary, the role of sequels, and the inspiration of counter-factual histories.
Topics vary from year to year.
East Asian Languages and Cultures Courses
The arts of reading a text, summarizing its argument, questioning its suppositions, generating balanced opinions, and expressing those opinions with clarity and effectiveness lie at the center of university life and educated human endeavor. EA Lang R1B is designed to help inculcate those skills, paying particular attention to East Asian humanistic topics. This four-unit course focuses on how to formulate questions and hone observations into well reasoned, coherent, and convincing essays. Attention will be paid to the basic rules of grammar, logical construction, compelling rhetorical approaches, research techniques, library and database skills, and forms of citation.
In this course, we will examine works that explore the contesting notions of gender and sexuality in East Asian cinema and media. Screenings will include classics like Wong Kar-wai’s In the Mood for Love, along with other works by Ang Lee, Kore’eda Hirozaku, Kawase Naomi, Bong Joon-ho and July Jung. Class will meet on the following dates: 1/23, 1/30, 2/6, 2/13, 2/20, 2/27, 3/6, and 3/20. Note: Enrollment is limited to 13 sophomores and 5 freshmen.
In this course we compare the cultural traditions of tea in China and Japan. In addition, using tea as the case study, we analyze the mechanics of the flow of culture across both national boundaries and social practices (such as between poetry and the tea ceremony). Understanding the tea culture of these countries informs students of important and enduring aspects of both cultures, provides an opportunity to discuss the role of religion and art in social practice, provides a forum for cultural comparison, and provides as well an example of the relationship between the two countries and Japanese methods of importing and naturalizing another country's social practice. Korean tea traditions are also briefly considered.
Higher Learning begins with the study of heaven. As the source of orientation in space and time, heaven provides humanity the foundation for its knowledge and political order. To understand what knowledge is or how politics function, we need a basic understanding of the ways of heaven. This course examines the function heaven serves in the founding of order against the void in nature through the formation of conventional systems of time and space and the role heaven has played in the promulgation of governments. From a cross-cultural, interdisciplinary perspective that covers the course of Eurasian history and using primary sources in translation, we will see heaven unfold through the developments that leave us with the world we know today.
This course examines the multiple ways in which the enormous upheavals of modernity have impacted Buddhism and the ways in which Buddhist institutions, beliefs, practices, and values have responded, with a focus on Japan. Because the end of World War II changed the political landscape in fundamental ways throughout Asia, most notably the end of colonialism, the course will be divided into two sections: 1800 to 1945, and 1945 to the present. The course will focus on the example of Japan because of the unusual rapidity with which Japan began an accelerated process of Westernization and globalization at the end of the nineteenth, earlier than any other Buddhist nation, the rise of nationalism as an anti-Buddhist force, and the way in which Japanese Buddhist thinking has recovered from that period.
The future has long been associated with innovation, emancipation and progress. The act of envisioning the future underlies various physical, socio-political, cultural and environmental projects of varied scale. Communist revolutions, agrarian reforms, wildlife conservation efforts, heritage preservation, citizenship building and urban planning all constitute a form of envisioning. Geographers have long developed nuanced theoretical and practical understandings of how agency and power in these acts of envisioning can be made legible through a critical engagement with space and environment. A place is never a mere container of memories or a stage for measuring development. It plays an active role in shaping the processes of remembering, forgetting and envisioning. Under the sign of the Anthropocene, how does the notion of space as an “actor”and human as “geological agent” invite alternative modes of thinking, acting, and envisioning the ways we are and will be living in the world? How might we understand the different articulations of agency? How is biological, social and political life reproduced and distributed across space and time-- from various pasts, presents, andvariegated forms of future? This seminar is designed for students working at the intersections of the social sciences and the humanities. We will examine existing practices and theorization of futurity and its applicability to different disciplines and geographical areas. With specific case studies, we will mobilize the spatial coordinates of geography (areas, nation-state, regions, urban/rural, wilderness, nature preserve, etc.) to put analytical pressure on competing theories of futurity, emergence and becoming, among other eco-critical concepts in currency.
Description coming soon.
Japanese Language and Literature Courses
Japanese 1A is designed to develop basic Japanese language skills: listening, speaking, reading and writing. Students will learn the Japanese writing system: hiragana, katakana and approximately 150 kanji. At the end of the course, students should be able to greet, invite, compare, and describe persons and things, activities, intensions, ability, experience, purposes, reasons, and wishes. Grades will be determined on the basis of attendance, quiz scores, homework and class participation. Note: Enroll in Japanese 1A if you have minimal or no knowledge of Japanese.
Japanese 1B is designed to develop basic skills acquired in Japanese 1A further. Students will learn approximately 150 new kanji. At the end of the course students should be able to express positive and negative requirements, chronological order of events, conditions, giving and receiving of objects and favors, and to ask and give advice. Grades will be determined on the basis of attendance, quiz scores, homework and class participation. Prerequisites: Japan 1A; or consent of instructor.
An introduction to Japanese literature in translation in a two-semester sequence. 7B provides a survey of important works of 19th- and 20th-century Japanese fiction, poetry, and cultural criticism. The course will explore the manner in which writers responded to the challenges of industrialization, internationalization, and war. Topics include the shifting notions of tradition and modernity, the impact of Westernization on the constructions of the self and gender, writers and the wartime state, literature of the atomic bomb, and postmodern fantasies and aesthetics. All readings are in English translation. Techniques of critical reading and writing will be introduced as an integral part of the course.
The goal of this course is for the students to understand the more advanced language and culture required to communicate effectively in Japanese. Some of the cultural aspects covered are; pop-culture, traditional arts, education, convenient stores, haiku, and history. Through the final project, students will learn how to introduce their own cultures and their influences. In order to achieve these goals, students will learn how to integrate the basic structures and vocabulary they acquired in the previous semesters, as well as study new linguistic expressions. An increasing amount of more advanced reading and writing, including approximately 200 new kanji, will also be required. Prerequisites: Japan 10A; or consent of instructor.
Introduction to Japanese culture from its origins to the present: premodern historical, literary, artistic, and religious developments, modern economic growth, and the nature of contemporary society, education, and business. Class conducted in English.
This course aims to develop further context-specific skills in speaking, listening, reading and writing. It concentrates on students using acquired grammar and vocabulary with more confidence in order to express functional meanings, while increasing overall linguistic competence. Students will learn approximately 200 new Kanji. There will be a group or individual project. Course materials include the textbook supplemented by newspapers, magazine articles, short stories, essays, and video clips which will provide insight into Japanese culture and society. Prerequisites: Japan 100A; or consent of instructor.
This course helps heritage learners of Japanese who have completed 10X to develop further their linguistic and cultural competencies. More sophisticated linguistic forms are introduced and reinforced while dealing with various socio-cultural topics. Close reading knowledge and skills, formal and informal registers, and different genres of Japanese reading and writing are practiced. The materials covered are equivalent to those of 100A-100B. Prerequisites: Japan 10X; or consent of instructor.
In this course, students will practice various techniques to read articles in Japanese on current issues in Japan, and they will learn about Japanese conceptions of the world and how Japanese society functions. They may want to compare what they have learned with similar issues in their own countries to deepen their understanding of the issues and develop their critical thinking ability. They will also learn more advanced Japanese grammar and increase their vocabulary. \Prerequisites: Japan 100, Japan 100B, or Japan 100X; or consent of instructor.
An introductory look at the culture, values, and history of religious traditions in Japan, covering the Japanese sense of the world physically and culturally, its native religious culture called Shinto, the imported continental traditions of Buddhism, Taoism, and Confucianism, the arrival and impact of Christianity in the 16th century and the New Religions of the 19th and 20th centuries. Focus will be on how the internal structure of Buddhist and Confucian values were negotiated with long-established views of mankind and society in Japan, how Japan has been changed by these foreign notions of the individual’s place in the world, particularly Buddhism, and why many see contemporary Japan as a post-religious society.
An introduction to the critical analysis and translation of traditional Japanese poetry, a genre that reaches from early declarative work redolent of an even earlier oral tradition to medieval and Early Modern verses evoking exquisitely differentiated emotional states via complex rhetoric and literary allusion. Topics may include examples of Japan's earliest poetry in Man'yoshu, Heian courtly verse in Kokinshu, lines from Shinkokinshu with its medieval mystery and depth, linked verse (renga), and the haikai of Basho and his circle. Prerequisites: Japanese 120 or consent of instructor.
This course examines the historical production and reception of key Japanese literary and film texts; how issues of gender, ethnicity, social roles, and national identity specific to each text address changing economic and social conditions in postwar Japan. Prerequisites: Japanese 100A (may be taken concurrently) or consent of instructor.
This course deals with issues of the usage of the Japanese language and how they have been treated in the field of linguistics. It concentrates on pragmatics, modality/evidentiality, deixis, speech varieties (politeness, gender, written vs. spoken), conversation management, and rhetorical structure. Students are required to have intermediate knowledge of Japanese. No previous linguistics training is required. Prerequisites: Japan 10, Japan 10B, or Japan 10X.
This year's seminar will examine the formation of the major Buddhist traditions in Japan from the seventh through twentieth centuries. There will be reviews of the premodern and modern source material, both in their original linguistic form (Japanese and Chinese) and in terms of Western-language scholarship, but the required readings for the course will be entirely in English. Class discussions will focus on how the authority of traditions were established, legitimated, and defined in the ancient, medieval, early modern, and modern/postmodern periods. The nature of Buddhist Studies scholarship in modern Japan and its relationship to these traditional forms of faith, study, practice, and sectarianism will also be included. The readings will proceed chronologically, and each student will be expected to pick, in consultation with the instructor, a week (or two, depending on enrollment) in which s/he will present on that week’s readings. Prerequisites: C115 ("Japanese Buddhism") or consent of instructor.
Korean Language and Literature Courses
This course is designed for non-heritage students who have absolutely no prior knowledge of the Korean language. Students will learn written and spoken Korean on self-related and day-to-day topics, and present information both in oral and written forms using formulaic and memorized expressions. They will also engage in simple conversational exchanges on a variety of daily topics. Prerequisites: None
This is a continuing course for non-heritage students who have completed K1A or demonstrated an equivalent proficiency level. Students will enhance and broaden their linguistic and cultural competence by learning more essential grammatical structures, daily life expressions and speech acts. The course is also intended to introduce certain cultural aspects through media sources and various activities. Prerequisites: Korean 1A; or consent of instructor.
This is a continuing course for Korean-American heritage students who have completed K1AX or demonstrated an equivalent proficiency level. More emphasis will be paid on reading and writing in order to establish their balanced four language skills. Students will enhance their linguistic competence by mastering essential grammatical structures and more elaborated daily expressions, as well as accompanying cultures. Prerequisites: Korean 1AX; or consent of instructor.
A survey of modern Korean literature and culture in the 20th century, focusing on the development of nationalist aesthetics in both North and South Korea. Topics include class and gender, urban culture, colonial modernity, war and trauma, and modernization. Texts to be examined include works of fiction, art, and film. All readings are in English.
With equal attention given to speaking, listening, reading, writing, and cultural aspects of the language, students will further develop their language skills for handling various everyday situations. Prerequisites: Korean 1B; or consent of instructor.
This is an intermediate course for Korean-American heritage students who have completed K10AX or demonstrated an equivalent proficiency level. It will emphasize reading and writing so that students can reach a comparable proficiency with their already high speaking and listening skills. More cultural aspects and social phenomena will be covered and students will be able to convey and write more than a paragraph level on various topics. Prerequisites: Korean 10AX; or consent of instructor.
This course is a continuation of K100A for non-heritage speakers. It will place more emphasis on listening and speaking through various authentic materials. Students will conduct individual projects on aspects where they intend to improve on. Various cultural aspects in addition to four-letter idiomatic expressions will be also covered. Prerequisites: Korean 100A; or consent of instructor.
This course is a continuation of K100AX for Korean-American heritage speakers. Students will be introduced to advanced-level Korean by reading authentic texts and writing short compositions, summaries, essays, and critical reviews. They will be encouraged to use advanced vocabulary and expressions including various idiomatic expressions. This course particularly emphasizes on heritage speakers’ speaking and writing competency. Prerequisites: Korean 100AX; or consent of instructor.
This course aims to help students acquire strong proficiency in reading and writing in Korean at the advanced level and deepen students’ knowledge of Korean culture and society through readings, film and discussion. The focus will be on understanding the society and history of Korea as well as acquiring advanced-level vocabulary and expressions. Through discussions and writing exercises students will be trained to speak and write clearly in a formal manner. Prerequisites: Korean 100B/BX; or consent of instructor.
This course is for students wanting to acquire high-advanced and superior level Korean proficiency in Korean business settings through the nuances of job-related communication and cultural expectations. Students master appropriate workplace terminology, expressions, and professional style spoken and written form. They complete job a search, plan a new product, present and negotiate the product status, and finally present the product externally. In addition, this course will cover Korean job culture topics such as work ethics and relationships. Upon completion, students can expect to be able to more confidently navigate a job search, application process, interview, job acceptance, and common situations in a professional Korean setting. Prerequisites: Korean 100B or Korean 100BX; or consent of instructor.
This course is uniquely designed for students who are interested in enhancing their proficiency level up to high-advanced or superior level through the lens of Korean popular media. By analyzing various media such as movies, documentary, TV shows, K-Pop songs, and news articles, students will broaden their knowledge and understanding about Korean society and culture in a deeper level, which is vital in advancing proficiency. Class discussions, presentations, article readings, and essay writings will help students learn and practice how to express their own opinion on various topics from aspects of Korean history to current social issues. Additionally, four-letter idioms, advanced grammars, and vocabularies will be introduced. Prerequisites: Korean 100B or Korean 100BX; or consent of instructorl.
This course aims to help students acquire strong language proficiency in spoken and written Korean at the advanced-high (or superior) level required for academic research and in business or other professional fields. The focus will be on building advanced-level vocabulary that is useful in understanding and expressing their opinions on topics, such as social studies, politics, business, policy, and history. Students will gain knowledge in four-letter words, complex idiomatic expressions and proverbs that often appear on editorials, news discourse, and academic writings. Students will also learn skills in formal oral presentations and writing. Prerequisites: Korean 101/102; or consent of instructor.
This course will examine the works of major poets in the first half of the 20th century and will consider the formation of modern Korean poetry. Particular attention will be given to the ideas of lyricism, modernism, and the identity of a poet in the context of the colonial occupation of Korea. Prerequisites: 100B or equivalent.
This course aims to facilitate critical understanding of persistent themes and diverse styles of modern Korean literature through close readings of canonical works from the colonial period (1910-1945). It encourages students to develop broad comprehension of “post-colonial” characteristics of Korean literature. Concurrently, it explores how Korean literature aspired to the expression of the universal aesthetic values and judgment against the particularistic historical condition of colonialism. Prerequisites: Korean 100A; Korean 100AX; or equivalent (may be taken concurrently).
This course offers a historical overview of Korean cinema from its colonial development to its present renaissance. It covers Korean film aesthetics, major directors, film movements, genre, censorship issues, and industrial transformation as well as global circulation and transnational reception. In an effort to read film as sociocultural texts, various topics will be discussed. All readings are in English.
Mongolian Language and Literature Courses
This course examines the Mongol Empire founded by Chinggis Khan. We will study the empire from the time its founding in 1206 until its decline in the mid-14th century. The greater extent of the course covers the matter of the Mongol conquest: military technologies, methods and strategies, logistics, and the events of specific battles and actions. These events are framed in the context of the Mongolian culture.
This course covers the history of Mongolian Buddhism from its inception in the Yuan dynasty to the present. The importance of Mongolian Buddhism to the greater dharma lies not only with the ways of its priests but also with the means of its patrons, the Mongol aristocracy, in forging a distinctive tradition in Inner Asia and disseminating it throughout the world. While maintaining a historical thread throughout, this course will examine in detail some of the tradition’s many facets, including Mongolian-Buddhist politics, the politics of incarnation, the establishment of monasteries, economics, work in the sciences, astral science and medicine, ritual practice, literature, sculpture and painting, music and dance, and more.
Tibetan Language and Literature Courses
A continuation of Tibetan 110A, this course provides an intensive introduction to a range of literary Tibetan literature. Assuming knowledge of basic literary Tibetan grammar, the course focuses on selected readings from Buddhist texts in Tibetan.
This seminar provides an introduction to a broad range of Tibetan Buddhist texts, including chronicles and histories, biographical literature, doctrinal treatises, canonical texts, ritual manuals, pilgrimage guides, and liturgical texts. It is intended for graduate students interested in premodern Tibet from any perspective. Students are required to do all of the readings in the original classical Tibetan. It will also serve as a tools and methods for the study of Tibetan Buddhist literature, including standard lexical and bibliographic references, digital resources, and secondary literature in modern languages.